Mar 4, 2014 | Class Act, North Tide, Tlingit Culture Accentuated |
Just finished the eyebrows of the Chilkat face – the “being” can now “express” it’s emotions…
I envision many of you Chilkat weavers have started this year off with a project or two on your loom(s), or you are at least intending to complete the one(s) you have on your loom(s) this year! I would like to help inspire and assist you to complete your project(s) and gain confidence as a weaver of Chilkat.
I will be conducting a workshop in Chilkat weaving for just one day in Juneau the day AFTER Celebration on Sunday, June 15th. (Some of you who are from out of town may make arrangements to spend another day to attend this valuable workshop!) My daughter, Lily Hope will be my assistant.
This workshop is for experienced weavers of all levels. “Experienced” meaning you have at least some basic knowledge of how to warp your loom, how to weave the two strand twine and the three-strand braid, etc. This workshop is about refining your skills and gaining confidence as a weaver of Chilkat.
It doesn’t matter to me if you learned from another Chilkat weaver or were a student of mine, we are all in the same boat – you are welcomed to attend.
The workshop will focus on tricks-of-the-trade skills learned from Jennie Thlunaut and those that I developed the past 30 years of weaving. These include (but are not limited to):
- Jennie’s fingering technique for grace, speed and accuracy (Weave a Chilkat robe in 5 to 6 months instead of a year! Yes, this can be your reality!)
- Why we “open wide” (no, this has nothing to do with mouths)
- Why we “give it the finger” (no, this has nothing to do with behavioral problems)
- Jennie’s methods of warp markers, creating square corners with your braids, how to interlock gracefully, etc. (Learned from the
- The importance of paying attention to your braids (like the way you pay attention to your hair braids)
- Why and where you would use two different shades of weft (even Museum staff wonder why this technique was used in the old robes)
- How to weave the various types of noses (let’s make the weaving of noses fun!)
- Which color is woven first when interlocking on a curve (you wouldn’t think so, but this technique is very important)
- Turning the corners of your eyes (oh so very, very important; the mainstay of Chilkat eyes!)
- Splicing (you will know when you are doing this wrong!)
- the “fast-black” weavers (is it a person, place or thing?)
- spinning warp tricks-of-trade (fine warp and weft produces fine weave)
- how to avoid shoulder, neck and back aches (what!? As if this is important!?)
- exercise while weaving (yep, get on the ball, folks; tone yourself up while you weave!)
- why it is best to have several weavings going at once (like I have time to weave more than one weaving!?)
- And whatever else you need to know! (Be assertive; create your list of questions now and bring them to class!)
Date:
- Sunday, June 15, 2014 (the day after Celebration ends)
- 9am to 3pm
Location:
TBA — I have not found a location just yet. I am looking into this. The location depends on the number of people who are interested in this workshop. I may conduct the workshop in someone’s home if we have 10 people or less (because I like having a kitchen so we can eat!), or if we have more than 10, we conduct the workshop in an office boardroom or possibly the JACC, etc.
If you have a suggestion for a location, please let me know.
Supplies:
- I will not be supplying any materials and supplies. You must bring your own loom already “dressed” with your weaving project on it.
- If you need any warp to start a new project before this class begins, I will contact our two warp spinners Ricky Tagaban or Teahonna James; place your orders ASAP.
Requirements:
- You will need to bring your own weaving project already on your loom; also your own tapestry needle, scissors, twine, notebook, pen/pencil, camera
- You may take as many photographs as you want though I will not allow video taping.
- bring food to share (we will be eating our lunch together)
Optional:
- bring your own body ball (click here to see what this is)
Deadline for sign up:
- June 10
- Maximum # of students: 20
Cost:
- $50 cash, check, or visa
- Make payment by June 10th; the earlier the better to reserve your spot in the class
- I will be in Juneau by June 10th
- If you need to pay via visa, we can meet up and I’ll swipe your card on my “Square”; if you pay by check, make it out to “Clarissa Rizal” – and of course, cash keeps things simple and is always welcome!
After Class at 4-5pm:
Directly after class, for about an hour or so, I will be available to talk to those of you who want to be a self-employed artist; those who want to weave, weave and weave, but are wary about making a living at your work. I know that after 37 years of being a full-time, self-employed artist working in a variety of mediums and raising three kids and a husband all the while, I am a living testament to “it can be done!” I can help provide you some advice and opportunities which may assist you in working towards this goal. I will provide you with a list of do’s and don’ts, grant organizations, entrepreneur classes at IAIA, and a couple of methods to make residual income. There will be no charge for this information. Let me know if you are interested and I will pencil you in!
if you are interested in taking this one-day class, contact me via phone (970-903-8386) or email (clarissa@www.clarissarizal.com).
Let’s face it, we’re going to have a blast! (Like “Hello!” — imagine a room of weavers “weaving on the ball!”)
Thank you for your time and interest!
Feb 21, 2014 | Latest Art Projects, Ravens & Eagles, Tlingit Culture Accentuated |
Clarissa Rizal finishes weaving the left “ship” – Valentine’s Day 2014
After 6 weeks of illness, weaving while singing voice lessons is heavenly! Golly, what a life! It feels so good to get back to “Resilience.” I designed and am now weaving this Chilkat robe called “Resilience.” You may see the full pattern with the design description by visiting the blog entry here. And you may see previous photos of the process of weaving this robe up until today by clicking on these blog entries here.
I am 6 weeks behind schedule because of my long winter illness. I am not even a third completed with this robe and it is due by June 15th – that’s only 3.5 months! I wove the “Diving Whale Lovebirds” robe in 5 months; looks like I am on for another marathon!
“Resilience” Chilkat Robe – close up of the eyebrow, the beginning of the Raven’s head – designed and being woven by Clarissa Rizal
Feb 13, 2014 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated, To Market To Market |
An idea for all those metal-smiths/jewelers of Northwest Coast design work! Design concept by Clarissa Rizal – February 2014
Anyone who has known me closely for a long time knows that these shoes are just not my style; HOWEVER, after I had seen them at T.J. Max these metal “dingdongs” attached to the shoe gave me an idea…an idea that I would like someone to do sometime…like within the next year!
I’d like to see some style of shoes that have carved engravings of Northwest Coast Native design work.
What do you say, you jewelers? You up for it? And what shoe company would go for this kind of thing?
Feb 4, 2014 | Adventures of Rear-Mirror Rissy, Honoring Others, Relationship Overdrive |
Clarissa’s four grandchildren, Bette, Louis Violet and Amelie – with another on its way due at end of July 2014
When we are young, we don’t think about the things middle-agedness and old-age may bring us. We are thinking about getting through the day-by-day stuff and we may plan a little bit into the future maybe 5 years down the road. The thoughts about preparing for being middle-aged and old-aged are the farthest things from our minds let alone taking action to prepare for it. That’s like doing everything you can now to prepare for having the perfect experiences in having a baby and raising that kid! uh-huh. Live is an ever-changing, ever-learning experience as we grow up, plateau and then “grow-down.” We learn as we go.
I thought that possibly I would have grandchildren but I really didn’t know what that would look like, nor did I know how I would feel once these kids came into being. With the addition of these young souls in my life, I’m doing things right now to help provide me with the feeling that I have the time to truly be with my kids. I say “feeling” because much of the time, when I am with them, I might be there in person, but because I am a full-time artist and the income I make is entirely from my art business, I’m always thinking of my work. (And all of you who have been a full-time, self-employed artist know exactly what I am talking about—-we do not have the luxury of leaving the office and the rest of the night or weekend is free—-that’s because we ARE the office and we carry our business mind-set wherever we go!).
So for me to FEEL the freedom of truly hanging out with my grandchildren, I’ve got to know that every month my bills will be paid. That is hard to do with sporadic income. So I am making attempts to diversify my income. Diversification doesn’t mean that I will quit doing art for income; it means that I am adding other ways to make income.
Like I said, I am making additions to my life so that I can feel the freedom of truly being with the greatest of all my additions: my grandchildren!
Feb 3, 2014 | Adventures of Rear-Mirror Rissy, Tlingit Culture Accentuated |
“Diving Whale Lovebirds” Chilkat dance robe by Clarissa Rizal – on the ferry (Alaska Marine Highway) to Skagway, Alaska – June 2013
Here’s a link recently posted January 27th on U-tube to a brief video clip created by the Penn Museum in Philadelphia:
https://www.youtube.com/watch?v=Tx1uvgmXP48
Postindian Warriors: Creating a New Consciousness in Native America highlights the influential work of Anishinaabe writer and activist, Gerald Vizenor. Vizenor’s expressions of “survivance” and “Postindian” reject Native American histories of absence and domination, and focus instead on the active presence of Native America today. Tlingit artists Nicholas Galanin and Clarissa Rizal speak about the importance of movement and change in their lives and work as well.
About the project:
Penn Museum’s Native American Voices Video project, completed in 2011, was conducted over fourteen months with support from the Annenberg Foundation and Gregory Annenberg Weingarten. The project resulted in the creation of Postindian Warriors: Creating A New Consciousness in Native America, five short videos about contemporary Native America for inclusion in the long-term exhibition, Native American Voices: The People – Here and Now. Five 8 minute films were produced to highlight important themes that emerged from the discussions.
The interviews were in May 2011. My paintings on the wall were “in-progress”; and, obviously same with the Chilkat robe on the loom “Jennie Weaves An Apprentice” completed in August 2011.
Feb 2, 2014 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated |
Lots of braids when you are about to weave the eyes and bridge of nose…yep, folks, this is what a Chilkat weaving looks like when in “full bloom!” – and you wonder how we keep track of it all!
I’m doing a trade with Preston Singletary. The first pair of Chilkat leggings were a little too big for him, so they became a part of the “Copper Man” Ravenstail/Chilkat ensemble (which is now in private collection in Seattle), so I began weaving this pair about 6 years ago. It’s slow going; trades are slow going when you’re trying to keep up with paying the bills. Trades are always on the back burner. Though these leggings are getting done, slowly but surely.
It’s proof in the pudding that practice-makes-perfect. I look at this weaving now and think “golly, it’s not very good…” compared to how I weave now. Also, the warp is not very good. It’s spun pretty evenly but before I figured out the trick of stretching the warp taut when wrapped around the wooden back of a chair to dry, this warp is too bulky. For those of you who know how to spin and know how to weave, and have figured out tricks-of-the-trade in making good warp, you will understand what I am talking about here.
From the beginning shape of the eyes in the photograph above to the completed “electric” eyes in this photo, it took about 3 hours to weave
Even so, the weaving is okay. despite my critiques. I’ll be getting back to it again as soon as I complete the “Resilience” Chilkat robe. I am finishing up old business as well as completing commissions and trades. It feels real good to do this.
Thank you for staying tuned in during the progress of this weaving!
Jan 30, 2014 | Honoring Others, Relationship Overdrive, Uncategorized |
Lily Lalanya Hudson Hope and her mother, Clarissa – December 2013 – Juneau, Alaskaphoto by Kelly Burnett
The moment Lily was born the morning of January 30, 1980, my condemning, self-judgments began to cease. This thing called “love of self” was felt in every cell of my body; I remember it quite well. I feel this is the gift she gave to her mother and this is the gift she gives to the rest of the world – it is also the gift in and of herself.
Lily is all kinds of things, but first and foremost the past six years, she is a mother of two of my favorite people in the world, Bette (Grandma’s nickname for her is “SikiKwaan”) and Louis (Grandma’s nickname for him is “Ajuju”). She enjoys homeschooling her kids; being a full-time mother right now is her favorite job, though for her sanity, she has her own weaving/sewing/beadworking room!
Lily has done all kinds of jobs, she always went “up the ladder” in no time due to her organizational abilities, her mathematical mind and her love to just be busy making people happy. When she was 18, after only a month, she became the manager of McDonald’s in Pagosa Springs, Colorado; then at 20 she became the Marketing Director for Whole Foods in Santa Fe, New Mexico and a beadwork artist for an internationally-famous mask-maker out of New Orleans. When she returned to her hometown of Juneau, Alaska 10 years ago to help take care of her Grandma Irene, she was led back into her Native roots.
She received her Bachelors Degree from the University of Alaska Southeast in 2005. By way of Perseverance Theatre in Douglas, she became an actress and with the assistance of her Grandpa Bob Hudson attended the San Francisco School of Acting. She also became an award-winning storyteller, winning top awards in the All-Alaska Storytelling competition; she and her husband, Ishmael Hope have performed at the Smithsonian. She got back into Ravenstail and Chilkat weaving and won 1st Place for the 4-piece, child-size woven ensemble in the Traditional Arts category of the Sealaska Juried Art Show. She used to have a website under Lily Hudson, but her name changed when she married Ishmael and she hasn’t gotten her younger sister, Ursala the web-designer to create a new website just yet. Although you can visit Ishmael’s superb website at: www.alaskanativestoryteller.com
Ishmael, Lily and their two children live happily in Douglas, Alaska.
Happy Birthday, my Nina!
Dec 1, 2013 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated, To Market To Market |
Collage of “Tlingit World Series #101” by Clarissa Rizal – 2013
Today I completed two new collages marking the beginning of the next 100 collages in this collection called “Tlingit World Series.” Since 2001 I have made 100 collages. Most of my collages are made of reject hand-printed silkscreened prints, maps, found papers, giclee prints, and on occasion, Japanese papers.
These two collages are donations for a good cause; they will be available for sale at the fundraiser auction for the new Klukwan Cultural Center. The auction is held at the Burke Museum in Seattle, Saturday, December 7th starting at 6pm.
If you are in the Seattle area and want to collect Northwest Coast art, please attend!
“Tlingit World Series #102” by Clarissa Rizal – 2013
Nov 27, 2013 | Latest Art Projects, Tlingit Culture Accentuated, Uncategorized |
Weaving the beginning of the “seaweed” Chilkat weaving I designed for a small handbag
The village of Klukwan, Alaska is hosting a fundraiser to assist in the construction of their Cultural Center. This even is held next week on December 7th at the Burke Museum, University of Washington State, in Seattle. Click here for more information on the cultural center and see other artists’ donations for the fundraiser.
Yesterday I began weaving this Chilkat “seaweed” bag to donate for the fundraiser. I intend to finish it by Saturday’s 2pm mail out deadline. I intended to have it completed by the first of this month but many unforeseen circumstances arose; slowed me down a bit. At times like these, I call myself “Cutting-It-Close Clarissa.”
Later this week, I will post photos of the completed project; stay tuned!
Nov 7, 2013 | Class Act, Tlingit Culture Accentuated |
Chilkat weaving class taught by the late Jennie Thlunaut at Raven House, Haines, Alaska, March 1985 – photo by Larry McNeil
Weavers of Chilkat, Spruce root, Cedar bark and Ravenstail gather to share their knowledge during the Clan Conference held this weekend starting today through Friday and Saturday at Centennial Hall in Juneau, Alaska. Click here to find out more info; read the Juneau Empire article.
For those who are in Juneau and do not want to attend the conference but want to see the weavers, there is a $5 fee only on Friday and Saturday paid to the Clan Conference. Thank you to Peter Metcalfe for inviting the weavers back in full force this year! Thank you to Lily Hope for assistance in coordinating the event. Many thanks to all the volunteering weavers who have come from far and wide and locally; happy spinning and weaving to all!
