{"id":2,"date":"2010-08-02T03:18:46","date_gmt":"2010-08-01T23:18:46","guid":{"rendered":"http:\/\/www.clarissarizal.com\/blogblog\/\/?page_id=2"},"modified":"2016-05-03T20:41:17","modified_gmt":"2016-05-03T20:41:17","slug":"about","status":"publish","type":"page","link":"https:\/\/www.clarissarizal.com\/blog\/about\/","title":{"rendered":"About Clarissa Rizal"},"content":{"rendered":"
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Clarissa Rizal painting “Frog Speaks” acrylic on canvas – 2010 – photo by Lis Saya<\/p><\/div>\n

The T\u2019akDein Taan (black-legged kittywake) Clan members from Glacier Bay’s Hoonah, Alaska are known for their Native songs; many are noted for their artistry.\u00a0 Clarissa Rizal holds true to her clan identity as a full-time, multi-faceted artist since 1977 working in fiber, painting, music, print-making, landscaping and sculpture.\u00a0 She was born to the late William and Irene Lampe, and raised in Juneau, Alaska.\u00a0\u00a0 Clarissa’s last name of Rizal was her paternal grandmother’s maiden name, Patricia Rizal, who was first cousin to Jose’ Rizal<\/a>, the Filipino martyr of the Philipines.<\/p>\n

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William and Irene Lampe with grandson, Kahlil Hudson – September 1978<\/p><\/div>\n

Clarissa specializes in design and creation of Tlingit regalia including Chilkat and Ravenstail\u00a0 robes and weavings, and button blanket robes.\u00a0 Clarissa was introduced to NWC carving through the high school shop teacher, Peter Bibb in which she carved a medium-sized “bentwood box”, a mother’s day gift in 1972.\u00a0 This was Clarissa\u2019s first exposure to the tangible arts of the Northwest Coast. \u00a0 After teaching her traditional native song and dance, then Yakutat Chief Harry K. Bremner, Sr. introduced Clarissa to the art of the Tlingit Native dance regalia-making in 1973.\u00a0 In 1986, she apprenticed with the last of the traditional Chilkat weavers, Jennie Thlunaut of Klukwan, who passed away directly after the apprenticeship at the age of 96.\u00a0 Clarissa continues to fulfill her promise to Jennie that she help revive this ancient weaving by conducting workshops and apprenticeships.\u00a0 Clarissa authored \u201cJennie Weaves An Apprentice\u00a0 – A Chilkat Weavers\u2019 Handbook\u201d which received a HAIL award (Honoring Alaska\u2019s Indigenous Literature) in 2008.\u00a0 Since 1983, Clarissa has designed and created over 60 Chilkat, Ravenstail and Button blanket robes.\u00a0 In her rare spare time, Clarissa is currently working on a book featuring all of her original designs of ceremonial robes, including each robes’ “mate” in a contemporary painting.\u00a0 The publication will be available in the Spring 2017.<\/p>\n

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Clarissa Rizal weaving her Chilkat dance robe “Jennie Weaves An Apprentice” – 2010<\/p><\/div>\n

Clarissa\u2019s work is in private collections, corporations, and public institutions including Doyon, Inc. and University of Alaska, in Fairbanks; the Anchorage Museum of History & Art, the Alaska Native Medical Center, the Senior Housing, the Senior Center, and Alaska Railroad in Anchorage; the MV Kennicott ferry from Bellingham, WA;\u00a0 the Southeast Alaska Regional Health Consortium (SEARHC) in Sitka; the Mt. Juneau Tramway, Goldbelt’s Westmark Hotel, Tlingit & Haida Central Council, the Alaska Folk Festival and Sealaska Corporation in Juneau; Highsmith, Inc. in Wisconsin; and Sealaska subsidiaries in Iowa, Alabama and Mexico.\u00a0 Her work has also been featured in award-winning corporate annual reports, book covers, calendars and posters.\u00a0 You may visit Clarissa\u2019s extensive website at:\u00a0 www.clarissarizal.com<\/a><\/p>\n

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“Following Our Ancestors’ Trail” red cedar wall mural – carved, painted, airbrushed, copper , Mother-of-Pearl buttons & beads – at the Alaska Native Medical Center in Anchorage – designed and created by William Hudson and Clarissa Rizal 1997<\/p><\/div>\n

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Architect Reuben assists installation procedures by artists Bill Hudson and Clarissa Rizal – this image provides size perspective<\/p><\/div>\n

Clarissa also enjoys creating contemporary paintings and collages allowing her a freedom of expression beyond the structural elements of Tlingit form line art.\u00a0 In 2000, she began a series of collages from “reject” silk-screened prints she had been storing for about 10 years with the intention of making collages someday.\u00a0 You may view a few of her collages and paintings on her website.<\/p>\n

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Tlingit World Series (TWS) #91 – collage with silk-screened prints, acrylic paint – by Clarissa Rizal – 2009<\/p><\/div>\n

Clarissa is a founding board member of the non-profit arts organization formed in 2000, Artstream Alaska (www.artstream.net)<\/a>, sponsoring events in Alaska and Colorado.\u00a0 Clarissa is an artist working with and for other artists.\u201d\u00a0 She initiated and co-directed many of the projects and events on Artstream\u2019s website including:\u00a0 the Northwest Coast Native Dance Regalia Documentary project; the Navajo & Chilkat weavers\u2019 cross-cultural exchange; hosted the Whistlepig monthly house concerts featuring musicians\/singer-songwriters from across the nation; and spearheaded the first Biennial Northwest Coast Native Artists\u2019 Gathering and Evening concert in 2006.\u00a0 Self-employed since 1977, she also owned Kahtahah Landscape Gardeners in 1981-1993; and, in 2004-2009, was co-owner of the online daily news source, the Pagosa Daily Post.<\/p>\n

Best of Show awards include:\u00a0 the Santa Fe Indian Market in New Mexico, the Heard Museum Indian Market in Phoenix, Arizona, the Lawrence Indian Art Show in Lawrence, Kansas, and the Sealaska Juried Art Show in Juneau, Alaska.<\/p>\n

Clarissa has three children:\u00a0 Kahlil Hudson (www.lowandclear.com)<\/a>, MFA in Film and Cinematography, UCLA, is a professor of film at the Institute of American Indian Arts, Santa Fe, NM; Lily Hope\u00a0 (www.lilyhope.com)<\/a>, MA, early childhood educator, professional actress and storyteller is also a Chilkat\/Ravenstail weaver who has launched the Northwest Coast Weavers Supply at nwcoastweaversupply.com<\/a>; and Ursala Hudson (www.whiterabbitstudio.us)<\/a>, BFA, web designer and visual artist who is president of the Pagosa Charter School Initiative. \u00a0\u00a0 Clarissa\u2019s grand-children are:\u00a0 Elizabeth, Louis, Mary and Eleanor Hope, Violet Hudson, Amelie and Simone Haas.<\/p>\n

Nearly 5 years ago, Clarissa’s daughter, Ursala, designed Clarissa’s blog site to encourage her mother to blog even though Clarissa didn’t want to; she felt it was dumb!— However, after the blog site crashed for over two months mid-November 2014 to end of January 2015, Clarissa had missed posting and sharing, she missed not being able to use her blog as reference and most of all she missed not having her blog to refer to for photographs of her work, travel, people, etc.!<\/p>\n

Like Joni Mitchell’s song….”you don’t know what you’ve got till it’s gone….”<\/p>\n

Clarissa Rizal * P.O. Box 21453, Juneau, AK\u00a0 99802 * (970)903-8386 <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The T\u2019akDein Taan (black-legged kittywake) Clan members from Glacier Bay’s Hoonah, Alaska are known for their Native songs; many are noted for their artistry.\u00a0 Clarissa Rizal holds true to her clan identity as a full-time, multi-faceted artist since 1977 working in fiber, painting, music, print-making, landscaping and sculpture.\u00a0 She was born to the late William […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":24,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":6371,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/pages\/2\/revisions\/6371"}],"wp:attachment":[{"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}