{"id":915,"date":"2010-11-16T12:00:45","date_gmt":"2010-11-16T08:00:45","guid":{"rendered":"http:\/\/www.clarissarizal.com\/blogblog\/?p=915"},"modified":"2010-11-17T01:41:22","modified_gmt":"2010-11-16T21:41:22","slug":"piece-of-poetry-to-her-grandmother","status":"publish","type":"post","link":"https:\/\/www.clarissarizal.com\/blog\/2010\/11\/piece-of-poetry-to-her-grandmother\/","title":{"rendered":"Piece of Poetry:  &#8220;To Her Grandmother&#8221;"},"content":{"rendered":"<div id=\"attachment_916\" style=\"width: 385px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.clarissarizal.com\/blogblog\/wp-content\/uploads\/2010\/11\/Mary_Wilson_Sarabia.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-916\" class=\"size-full wp-image-916\" title=\"Mary_Wilson_Sarabia\" src=\"http:\/\/www.clarissarizal.com\/blogblog\/wp-content\/uploads\/2010\/11\/Mary_Wilson_Sarabia.jpg\" alt=\"\" width=\"375\" height=\"500\" srcset=\"https:\/\/www.clarissarizal.com\/blog\/wp-content\/uploads\/2010\/11\/Mary_Wilson_Sarabia.jpg 375w, https:\/\/www.clarissarizal.com\/blog\/wp-content\/uploads\/2010\/11\/Mary_Wilson_Sarabia-225x300.jpg 225w\" sizes=\"auto, (max-width: 375px) 100vw, 375px\" \/><\/a><p id=\"caption-attachment-916\" class=\"wp-caption-text\">My Mamma&#39;s Mother:  Mary Wilson Sarabia, T&#39;akDeinTaan (black-legged Kittywake)  Clan from Hoonah, Alaska (circa 1920&#39;s)<\/p><\/div>\n<p>In 1988, while living in Santa Fe, I attended the Institute of American Indian Arts and took a Creative Writing class from professor\/poet Arthur Zhe.\u00a0 After submitting a few short poems, he asked if I could write a longer one &#8211; of course, I replied.\u00a0 When I got home, I set the stage.\u00a0 It was a stormy night with thunder and lightning blasting about the wind.\u00a0 The kids and man were asleep.\u00a0 Between 10pm and 3am was my usual time all to myself, and I was enjoying the storm.\u00a0 I lit candles and curled up on the couch wrapped in woolens and a spiral-bound notebook.\u00a0 The curtains were open and I could hear the bushes slap against the window glistening with wet, shocks of light in this exciting night.\u00a0 I&#8217;m not sure why the image\u00a0 of my Grandmother Mary came to mind, but I began to write without much thought &#8211; like the pen led the way into a page of timelessness.<\/p>\n<p>This poem was written as if my grandmother were to come back to a life-long dream of a home and lifestyle I have wanted since my first child was born (now almost 34 years ago);; the dream was to build a hand-built, custom-designed home, with a flourishing flower and vegetable garden, including fruit trees, living a subsistence life-style embellished with the making of traditional and contemporary art.\u00a0 (Cannot say I&#8217;ve lived that life &#8211; just yet!). \u00a0\u00a0 My grandmother passed away 12 years prior to the writing of this poem.\u00a0 I wondered what\u00a0 she would see if this dream were an actual reality. \u00a0 Also, while writing this poem, I imagined another clan relative narrating this perspective, telling my Grandmother about me as her elderly footsteps walked silently about my home and life:<\/p>\n<p>&#8220;Say you were to come back knocking at her Painted Door, a clan design you know as T&#8217;akDeinTaan<\/p>\n<p>She would welcome you in to her large, dark one-room lodge\u00a0 lit by a couple of kerosene wall lamps from L.L. Bean<\/p>\n<p>where at first you did not notice the smoke from the fire in the center of the room trailing up to the smoke hole above<\/p>\n<p>where White Raven tried to fly out but became blackened forever<\/p>\n<p>And you did not notice the carved alder wood mask smiling with one gold tooth\u00a0 flickering by candlelight propped next to the cedar bark basket<\/p>\n<p>on that driftwood shelf to your right and in its shadow below, the carved bentwood boxes that held our clan&#8217;s button dance blankets,<\/p>\n<p>each made of wool bought from House of Fabrics with 2,115 mother-of-pearl buttons from Winona&#8217;s and 649 turquoise beads<\/p>\n<p>bargained from the stateside Indians who sat in the sun she hardly ever got<\/p>\n<p>and what about the sealskin boots parked near your feet and the sealskin coat embellished with brass beads, feathers and leather fringe<\/p>\n<p>and the sealskin and wolf-fur hat and matching mittens hanging right up next to you on brass hooks screwed in to the cedar-planked wall &#8211;<\/p>\n<p>Mind you, did yid you smell cedar when you walked in, for how could you miss it with every plank and beam she&#8217;s made of<\/p>\n<p>And did you not see the soapstone puffin bird carved by your great-grandson when he was nine,<\/p>\n<p>and the small bentwood box that used to be yours stuffed with glass beads for the beading loom projects of your great-granddaughter?<\/p>\n<p>How about the Chilkat dance blanket hanging on the loom over there in the corner, away from the mud, ashes and crumbs;<\/p>\n<p>the only weaving in the where you can weave the perfect circle, therefore perfect for our style of design,<\/p>\n<p>and she learned it from Jennie, last of the traditional weavers two months before she died, and they say it takes a year to weave a robe,<\/p>\n<p>but how would you know; you didn&#8217;t know how to weave, or did you?<\/p>\n<p>Through clan inheritance only a select few knew then when you were alive, and it was almost a dying art they say,<\/p>\n<p>except the ones outside of tribal boundaries who quickly learned what they could, weaving together bits of the dangling knowledge<\/p>\n<p>and she was one to help weave pieces of the heritage back so she could earn prestige, recognition and thirty thousand dollars a robe,<\/p>\n<p>so she can buy pretty clothes, new shoes, new dishes, towels, computer, stereo, sewing machine, lawn mower, food processor, pasta machine;<\/p>\n<p>so she could buy a piece of land where her ancestors once fished, to build her cedar home, and buy a brand new Toyota truck<\/p>\n<p>to haul all of her new possessions and firewood in, and bury a septic tank for a flushing commode and install a generator for the color T.V.<\/p>\n<p>and CD player sitting on the oak cabinet beside the stack of American Indian art books and magazines surrounded by masks, looms, boxes,<\/p>\n<p>skins, beads and stones; surrounded by what she strives to make as art, what the art can sell for, what the money she makes from selling<\/p>\n<p>the art can buy, what the buying of anything she desires she has discovered has eventually sold pieces of her soul, where the selling of her soul<\/p>\n<p>has left but a faint light in her life.<\/p>\n<p>Say you were to come back<\/p>\n<p>Knocking at her painted door<\/p>\n<p>You would not even notice the dim world behind her<\/p>\n<p>Full of smokey objects casting shadows<\/p>\n<p>Drifting upwards through a blackened hole;<\/p>\n<p>you would look into her eyes only<\/p>\n<p>and know that the faint light had held on<\/p>\n<p>For you<\/p>\n<p>And the next time you were ready<\/p>\n<p>You would take her with you<\/p>\n<p>When you went.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1988, while living in Santa Fe, I attended the Institute of American Indian Arts and took a Creative Writing class from professor\/poet Arthur Zhe.\u00a0 After submitting a few short poems, he asked if I could write a longer one &#8211; of course, I replied.\u00a0 When I got home, I set the stage.\u00a0 It was [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[65,19,55,50],"tags":[7,53,63,101],"class_list":["post-915","post","type-post","status-publish","format-standard","hentry","category-my-two-cents-and-then-some","category-honoring-others","category-family-friends-relatives","category-tlingit-cultural-events","tag-chilkat","tag-hoonah","tag-irene-loling-sarabia-lampe","tag-mary-wilson-sarabia"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/posts\/915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/comments?post=915"}],"version-history":[{"count":5,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/posts\/915\/revisions"}],"predecessor-version":[{"id":918,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/posts\/915\/revisions\/918"}],"wp:attachment":[{"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/media?parent=915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/categories?post=915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.clarissarizal.com\/blog\/wp-json\/wp\/v2\/tags?post=915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}