Dec 22, 2013 | Acting Out and Musical Chairs, Adventures of Rear-Mirror Rissy, Honoring Others, Latest Art Projects, Tlingit Culture Accentuated |
Preston’s new band tentatively called “Koo.eex” L to R: Gene Tagaban, Clarissa Rizal, Bernie Worrell, Skerik, Stanton Moore & Preston Singletary
Back in October on a Friday night, out of the blue, I received a text from Preston: “…will you be a back-up singer in my band? We will be recording a CD this coming December.” — “Huh? Like who does he think I am; a singer? What makes him think I can sing? He’s gotta be kidding….” —- So, I didn’t answer him. Four days later on the following Monday I got a call from Preston:
“Well hey, Clarissa, uh,…did you get my text?” —
“Yes.” —
“Uh, well, what do you think? (and like how come you didn’t answer…!?)
“What am I supposed to think? I do not recall ever indicating that I am a singer to nobody, like what makes you think that I can even sing, much less be a back-up singer in a band that is going to record it’s first CD!?”
“Hahaha. Hey I remember those songs you sang around the campfire at the end of the two-week work session completing the glass and wood totem pole at Pilchuck…you blew everyone away…!”
“Preston, that doesn’t count…those were dirty songs…!”
“Yeah, well…it’s how you presented them,…it’s the way you sang. I want that kind of energy in my band…will you join us?”
One of Preston’s bass’
Preston’s first love is music. Not glass blowing. How can I tell? He gets that look in his eyes. It’s that true musician’s look as if they are in another time and place; smiling inside out. I grew up with a musician. I’ve been around musicians. Some of my best friends are musicians and although some don’t necessarily “make a living” creating music, there’s that “way of being”….So for those of you who think Preston is a hot glass blower and that is his first love, you got it all wrong. I don’t care if the dude makes thousands on his work and thousands of art collectors have a piece of his work, his true love is music. Bottom line. — But if you must check out Preston’s glass blowing website: www.prestonsingletary.com
Bernie Worrell on keyboards – check out Bernie Worrell website at: http://www.bernieworrell.com/ This guy is no ordinary keyboard player! He is all over the board!
So Preston gathered together his friends, Gene Tagaban, Skerik and I along with two big name musicians (that at the time I didn’t know were big names), Stanton Moore and Bernie Worrell. For the past eight years, Preston had imagined putting together a jazz/funk rock fusion band to record a CD. He saved up money to do so; this December with the help of us buddies, he made his dream come true. The sound that came out of this band was so fantastic and fun, it blew all of us away! The music had become so much a part of me in just three short days, I barely slept. I began to understand why musicians “move to a different drum.” I began to understand why they stay up late into the wee hours of the morning. I also understand why some become drug addicts or are alcoholics or at least have a stiff drink before they go to bed. IT IS HARD TO GO TO SLEEP AFTER FEELING THE MUSIC IN YOUR BONES AND EVERY NERVE OF YOUR BODY!!! Holy cow!
Gene Tagaban on Native flute, Skerik on sax
Who is that drummer, Stanton Moore? Gawd, the guy can drum. Like I thought my friend D.C. Duncan could drum and for the past 20 years I’ve always enjoyed D.C., but man, this Stanton guy is something else!!! When I got back home after the recording sessions, I saw D.C. and asked him if he knew Stanton Moore. He said “well, hell yeah, I have bought his CD’s and have made myself a better drummer through his instructions over the years, the dude is goooood! The guy is THE drummer of all drummers – like he is #2 in the entire world – Why do you ask?”
Stanton Moore on drums — check out the Stanton Moore Trio on youtube and if you are a drummer or wanna-be-drummer, this is the man to hang with; New Orleans born and bred – check out his website at: www.stantonmoore.com
So, we spent three days improvising songs. A total blast. These songs were based on traditional Native songs of the Northwest Coast; we started out with the chants, then the band would slide on in and take off! It was a honor to play with these guys; thanks for the invite, Preston. I have appreciated every moment in actual time and now in memory!
Preston begins with a traditional tune – notice the child-size Chilkat robe in the background – I’d weave when I wasn’t singing…
Gene Tagaban has definitely made his way in the world with his storytelling and musical talents. I had no idea the extent of his talent until this recording session. He topped off these songs; he added so much depth and meaning. His contributions rounded everything out, like bringing the entire fusion together full circle. These are just my opinions folks, you do not have to believe everything I say here. Just make sure you buy the CD when it comes out by the Fall of 2014; it’s nothing like you’ve ever heard!
Gene Tagaban adds a story of Raven…walking along a beach…check out Gene’s website at: http://www.storytellingraven.com/
- Preston Singletary on bass
Bernie Worrell’s keyboarding hands
After the excitement of the first song the entire band played, Stanton and Bernie vigorously shook hands, honored to play with one another
Skerik on sax – this guy rips — Skerik is an American saxophonist from Seattle, Washington. Performing on the tenor and baritone saxophone, often with electronics and loops, Skerik is a pioneer in a playing style that has been dubbed saxophonics. Check out Skerik’s FB page at: https://www.facebook.com/skerik
In the sound room, Gene Tagaban, Bernie Worrell and Preston Singletary listen to the second day’s improv recordings
Sound engineer, Randall at the 1969 “board”
In the dining room kitchen, sound technicians and band members share home-made squash pie and baked apples hosted by Stuart, the owner of the “Avante!” recording studio – YUM!
Dinner at the Bitterroot Restaurant
After a fine day and night of playing together, and sharing a late dinner, Bernie Worrell and Preston Singletary share a bench and a smoke already reminiscing the “old days”…and the next project!
Dec 1, 2013 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated, To Market To Market |
Collage of “Tlingit World Series #101” by Clarissa Rizal – 2013
Today I completed two new collages marking the beginning of the next 100 collages in this collection called “Tlingit World Series.” Since 2001 I have made 100 collages. Most of my collages are made of reject hand-printed silkscreened prints, maps, found papers, giclee prints, and on occasion, Japanese papers.
These two collages are donations for a good cause; they will be available for sale at the fundraiser auction for the new Klukwan Cultural Center. The auction is held at the Burke Museum in Seattle, Saturday, December 7th starting at 6pm.
If you are in the Seattle area and want to collect Northwest Coast art, please attend!
“Tlingit World Series #102” by Clarissa Rizal – 2013
Nov 27, 2013 | Latest Art Projects, Tlingit Culture Accentuated, Uncategorized |
Weaving the beginning of the “seaweed” Chilkat weaving I designed for a small handbag
The village of Klukwan, Alaska is hosting a fundraiser to assist in the construction of their Cultural Center. This even is held next week on December 7th at the Burke Museum, University of Washington State, in Seattle. Click here for more information on the cultural center and see other artists’ donations for the fundraiser.
Yesterday I began weaving this Chilkat “seaweed” bag to donate for the fundraiser. I intend to finish it by Saturday’s 2pm mail out deadline. I intended to have it completed by the first of this month but many unforeseen circumstances arose; slowed me down a bit. At times like these, I call myself “Cutting-It-Close Clarissa.”
Later this week, I will post photos of the completed project; stay tuned!
Nov 12, 2013 | Honoring Others, Latest Art Projects, Tlingit Culture Accentuated |
“Resilience” Chilkat robe with Christian symbol and filler U-shapes
When you catch the “weaver’s bug”, all you wanna do is weave, weave, weave. We can get so obsessive about weaving that we will tend to neglect the rest of our life and all the things that need tending (i.e. family, relationships, body, house, other business, etc.). My teacher, the late Jennie Thlunaut brought this challenge to my attention. She did not explain what would happen to me when I caught the “weaver’s bug”, she explained things like this: “…you be good to your husband…!” or “…take time out to eat and sleep!” or “…be good to your kids!”
Yep, that’s all I wanna do is weave. Alas….sigh….there are other things I love just as much!
Thank you Jennie, for taking me under your wings to teach me more than just weaving! You changed my life in many more ways than just being a weaver!
This Chilkat “Resilience” robe is a “document” depicting icons of Western influences that changed our Northwest Coast indigenous peoples during the past 300+ years; this design includes Native logos reflecting cultural integration and strength.
The Icons and their meanings:
• ships – Russians, Spanish and English explorers/traders
• double doors flanked by columns – museums, collectors, anthropologists
• pair of hands holding the gold pan – mining, western monetary system
• Christian symbol – Christianity, missionaries, organized religions, boarding schools
The Logos and meanings:
• Eagle and Raven represents the clan system-the fundamental foundation of the culture; also represents the Tlingit and Haida Central Council (logo) established in 1935
• Within each wing, logos of the ANB (Alaska Native Brotherhood) established 101 years ago in 1912 and the ANS (Alaska Native Sisterhood) were first indigenous civil rights groups in the U.S. – these two organizations gave “flight” for indigenous rights
• Within the chest of the Eagle and Raven, the Sealaska Corporation logo, 1 of 13 Regional Native Corporations of Alaska spawned from the passing of the Alaska Native Land Claims Settlement Act (ANCSA) in 1971 – these organizations reflect the “heart” of the present-day cultures’ integrating western ways of living and conducting western business while maintaining cultural values and ethics
• Tail – the new “rudders”; the new institutions created to assist in archiving, preserving and perpetuating the Native cultures of today; depicted is the Sealaska Heritage Institute (logo) established in 1980.
I am using Ravenstail techniques on the left and right sides of the robe. I’ll also weave Ravenstail here and there in the central design field of the robe. It’s fun to incorporate the Ravenstail weaving patterns into the Chilkat robes.
Nov 7, 2013 | Class Act, Tlingit Culture Accentuated |
Chilkat weaving class taught by the late Jennie Thlunaut at Raven House, Haines, Alaska, March 1985 – photo by Larry McNeil
Weavers of Chilkat, Spruce root, Cedar bark and Ravenstail gather to share their knowledge during the Clan Conference held this weekend starting today through Friday and Saturday at Centennial Hall in Juneau, Alaska. Click here to find out more info; read the Juneau Empire article.
For those who are in Juneau and do not want to attend the conference but want to see the weavers, there is a $5 fee only on Friday and Saturday paid to the Clan Conference. Thank you to Peter Metcalfe for inviting the weavers back in full force this year! Thank you to Lily Hope for assistance in coordinating the event. Many thanks to all the volunteering weavers who have come from far and wide and locally; happy spinning and weaving to all!
Oct 30, 2013 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated |
Close-up of “Where We Going” painting – acrylic with a touch of gold paint on curved wooden frame
Last night I finished the painting for the Sealaska Heritage Institute’s fundraiser coming up in February 2014. For information on SHI and their fundraiser, click here to link to their website.
Both paintings will be sold as a set – they each measure 10″ x 10″ – acrylic on curved wooden frame
To show the curve of the wooden frame, I took this shot although it makes one frame look larger than the other…but, like I said, they are the same size!
Oct 29, 2013 | Latest Art Projects, Tlingit Culture Accentuated, To Market To Market |
Adding another layer of paint…!
Last week I finally began painting a pair of small curved canvas paintings, a donation for Sealaska Heritage Institute’s fundraiser art auction in February 2014. For the past 10+ years, I’ve been painting on curved canvasses; it’s fun! Kinda different. And it’s inspirational for me to continue to do more (in between other projects, of course!)
Oct 27, 2013 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated |
The right corner of the Chilkat robe – the top border of yellow is completed – 26 hours later…! So far so good, I am on track…!
26 hours to complete the yellow border and the 5 strands of braids at the bottom of the border – those hours are in between the hours of this particular Fall, winterizing the house/studio, nor coordinating the Weavers’ Gathering demonstration at the Clan Conference, nor babysitting grand-children, nor painting a donation piece, nor spinning warp for a Chilkat/Ravenstail pouch for another donation, nor cleaning and organizing the studio for another round of intense work until June, nor the daily routine of eating, sleeping, and taking care of my body.
I am far from lazy, from from being bored, far from being a “kept woman” and far from taking a vacation any time soon! All I do though, I LOVE to do; I have a lot of love in my life – all the things I do I love, all the things I be, I love. I realize I spend most of my day “in love.” There isn’t much time in the day spent on things I do not love. I’ve been this way a long time. Even though I may not act like it sometimes, I give thanks every morning no matter what my mood, and I give thanks every night as I put my “home” to bed. It’s been my unspoken way of appreciation and gratitude.
Nobody needs to know any of this though I share it here with you, the reader. Why? Because some day some time long past me posting this blog entry, I may read this again years later, because in a way this blog is like my work diary. I used to keep track of all my work via hard-copy photographs placed in a plastic sleeve with pages of notes on the current project at hand…I’ve got shelves of my work all categorized in big 3-ring binders on shelves I had built to take the weight of it all. Now my recordings have gone virtual with the blog site. I may read this entry years later and it is a reminder of who I have been, where I was at, and I get to compare it with who I am on that future date!
My work lives in the future. My system, my entire way of thinking is mainly in the future. So this blog serves as a vehicle to contain the present-day work and adventures for eventual past reflection. When I am real old and I look upon my past, I intend to enjoy myself and others all over again!
Oct 22, 2013 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated |
Completed the black top border of the robe – 41 hours later!
Here’s a close-up photo of the black top border of my Chilkat “Resilience” robe that I am weaving for the Portland Art Museum…notice the subtle texture of the weave. I weave over three warp ends instead of two when weaving the black and yellow borders of a Chilkat robe. I learned this from my teacher/mentor Jennie Thlunaut, last of the traditional Chilkat weavers who passed away in 1986. She suggested that I use size 3/6 weft yarns (equivalent to 3-ply commercial yarns) and weave over three warp ends – ONLY IN THE BORDERS! These techniques create a subtle texture and a larger “frame” for the design field of the robe.
I will be posting more updates while weaving this robe over the next few months; stay tuned and thanks for visiting!
Oct 19, 2013 | Class Act, North Tide, Showing Off, Tlingit Culture Accentuated |
Della Cheney and Percy Kunz demonstrates cedar bark weaving at the Weavers’ Gathering demonstration during the Clan Conference in Juneau, 2009
Once again, the Clan Conference will convene in Juneau at Centennial Hall Thursday, Friday and Saturday, November 7, 8, & 9th. This is a time of shared and gained educational experiences from the Native and/or collegiate perspective. For more information on the details of the Clan Conference and a listing of the lectures, please click here to visit the website. or click here for the Juneau Empire’s announcement of the Clan Conference.
Chilkat, Ravenstail, Cedar bark and Spruce root weavers will gather together in the lobby of Centennial Hall for the entire three days, 10am to 4pm to share their knowledge. In 2009, the presentation was a big hit, we’ve been asked to demonstrate again. Click here to see past photos of the weavers’ demonstration.
We welcome weavers to join us and participate in this fun endeavor! Contact Clarissa Rizal or Lily Hope if you are interested!
