Nov 9, 2012 | Honoring Others, Showing Off, Tlingit Culture Accentuated |
Sue and Israel Shotridge at work in the studio…
I am inserting this image in my blog of these two artists because I really like these people and I want to introduce you to them: Israel is working on a pendant design and Sue is pouncing a pattern. They are multi-talented, multi-faceted folks who I’d applause 8 days a week! They are the owners of Raven’s Nest Gallery in Vashon, Washington State. You may visit their website at www.shotridgestudios.com — Thank you to Sue who produced, coordinated and hosted my very first button blanket-making class!
Nov 7, 2012 | Class Act, Latest Art Projects, Tlingit Culture Accentuated |
Back in 1983, I was commissioned by SEARHC (Southeast Alaska Regional Health Consortium in Juneau, Alaska) to create a poster design for their alcohol rehabilitation program – “Step Into the Light” – we hand-silkscreened an edition of 50 prints. – This image is a painting on a wooden box
I also did a version of this design into a full-size buttonrobe that SEARHC owns for their “Raven’s Way” program. Over the years, I have noticed other versions of this design that other artists have gladly used; I decided that I would do the same thing! I will be teaching my very first button robe class held on Vashon Island, Washington State and I am basing the class pattern on this original design. Like the designs of old, when they were good, there were versions of them done in a variety of mediums…by the original artist!
The design tells the story of the “Box of Daylight” where Raven “steals” each box from the chief of the Nass River (in B.C.) that holds the sun, moon and stars; Raven then opens each box and breaks light to the world.
This design shows Raven being the actual box; the lid of the box is open and it is simultaneously Raven’s head with the Sun coming out of the box. The chief is the profile face within the main body of Raven. Three potlatch rings are shown on his brow.
Drafting up the button robe pattern based on the original design – will be used as the pattern for a button robe sampler class I am teaching this coming weekend in Vashon, WA
Nov 6, 2012 | Honoring Others, Latest Art Projects, Tlingit Culture Accentuated |
In honor of my cousin, the late Pat Mills from Hoonah, Alaska, for the upcoming koo.eex (pay-off party), I drew an ink & acrylic sketch of Pat, as if dancing in a Chilkat robe that could have been his – the robe includes his infamous “FV Mary JoAnne” sailing along with salmon and halibut
With my friend Cecil’s assistance, we printed 88 copies of the “Mary Joanne Chilkat Robe” as gifts for Pat’s koo.eex coming up on November 17 in Hoonah, Alaska. Why print an edition of 88? Simply because that’s all the paper I had. This printer is the Epson 7880 24″ model. I’ve had it for about 4 years, however, I find it difficult to make time to print all that I want to print. There is only so much time in 8 days a week!
Nov 2, 2012 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated, To Market To Market |
“Totemic Mosaic #001” is part of the group exhibit opening November 1st at the Quintana Gallery in Portland, Oregon. Other artists include Alano Edzerza, Shaun Peterson, Paul Rowley and LessLIE Sam.
“Quintana Gallery celebrates its 40th anniversary with a year-long series of exhibitions that honor its past, present and future. The last in this series is a group show of the next generation of artists who are carrying native art forward with contemporary eyes and firm roots in tradition.” These images in this blog entry are a few pieces created for this show.
“Totemic Mosaic #004” — I have made about 5 (maybe 6? – hard to recall) of these “mosaics” since this Summer. They are on hand-built curved canvasses. They are fun to create.
“Totemic Mosaic #005” – this photo gives a little bit of perspective on the curved canvas theme.
Oct 31, 2012 | Latest Art Projects, Tlingit Culture Accentuated |
Clarissa drafts her pattern for her first child-size Chilkat robe. It will fit a child from about 2 years to 6 years old, depending on size of kid. It is a robe that can be also used as a dance apron by an adult.
Jennie Thlunaut’s last Chilkat weaving was a child-size robe finished directly before she passed in July 1986. I don’t know why I never thought of weaving a child-size robe, but I got inspired by seeing all these little people dancing on stage at the commemoration of the new cultural center in Whitehorse, Yukon Territory this past June. It was my mother’s birthday; my Mamma was on my mind as I watched these little kids as confident in their dance as any adult I’d ever seen – I know my mother would have enjoyed seeing these kids…then suddenly in my mind’s eye, I saw children in Chilkat robes….! And that was that! In honor of my mother, in honor of those children and their inspiration and in honor of my own grandchildren, I’ve got the borders woven on my very first child-size Chilkat robe! And today I’m finishing up the design!
Oct 29, 2012 | Class Act, Latest Art Projects, Tlingit Culture Accentuated |
A canvas spinning pad is strapped to the thigh and moistened to provide friction for spinning Chilkat warp. Yes, the pad was made my Clarissa today while Teahonna split cedar bark and prepared wool to begin spinning her first 100 yards of Chilkat warp!
Oct 25, 2012 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated, To Market To Market |
Close-up beginning a series of mixed-media collage drawings on replaced cabinet doors; the series is called “Tlingit Cabinet” Series
Several years ago, when the way-too-little sewing room got replaced by a cedar sauna, I saved the cabinet doors. Because I cannot stand to throw away perfectly good wood, and these ones where already “framed”, I told myself that “…someday I’ll do some paintings on them…” (even though I hadn’t really painted much except one of the “Painted Ponies” of New Mexico). Finally, after about 10 years storage in the attic, I have begun the series. Again, this style of work is inspired by my collage/painter friend, Cecil Touchon. Partner Dan Shanks prepared the small boards (there are three small ones; three big ones) using acrylic matte medium to glue down sheets from a couple of old books. Then I use a couple of graphite pencils, dark and light with some cinnamon-colored, and do some shading – it’s a lot of fun – and like the rest of the contemporary work that I do, I just never know how it’s gonna turn out! Stay tuned for the completed triptych of this first set of cabinets. – And by the way, if you know of anyone who is remodeling their kitchen, etc., and they are getting rid of cabinets that are in good shape, send those folks my way! Thank you!
Oct 23, 2012 | Class Act, Latest Art Projects, Tlingit Culture Accentuated |
The back side of two child-size Chilkat robes side by side on Clarissa’s front porch – yes, it is past mid-October and it’s warm enough to weave! Where are we? Well…the color of the sky is the big give-a-way! We’re NOT in Southeast Alaska…
As I demonstrate on my robe, Crystal learns on hers. It’s the perfect pair. In this way, I don’t weave her experiences – she weaves her own experiences. The weaving looms are quite portable and compact. They were originally designed by my Ex and I years ago; these ones were created by local woodworker, Bill Hill.
Front view showing the borders of the child-size Chilkat robes
Crystal Rogers weaving her Chilkat robe; it is almost ready to begin weaving the design field – how exciting!
Drawing upon other Chilkat robe designs Clarissa has designed laying about her drafting table, Clarissa draws preliminary sketches for Crystal’s Chilkat robe.
Sep 30, 2012 | Class Act, Tlingit Culture Accentuated |
Clarissa’s grand-daughter helps spin Chilkat warp with wool and cedar bark
Back in 1986, when I was apprenticing to master Chilkat weaver, the late Jennie Thlunaut, she relayed the story of how she began weaving. She said she was around 5 years old. Her mother and aunties were weavers and of course, spun all their own warp and weft. Jennie had no other choice but to “play” with the warp and weft, “weaving her own creations…” Jennie advised: “…so that is how I started, and that is how many of us can start…let the real little ones “play” with you…watch how they become…you will see whether or not they become one of us…” Jennie giggled and smiled real big “…heehee, you will see…”
Amelie has her own method of placing markers on the warp ends…at two years old, she is already demonstrating her innovativeness (is that a word?…well it is now!)
I don’t know why I never thought of this before, but I am weaving a child-size Chilkat robe. I am hoping I can help inspire other Chilkat weavers to do the same. I imagine a whole slew of them to be woven this Winter/Spring into Summer and to be completed in time for Whitehorse, Yukon Territory’s Adaka Festival the last week in June next year. Imagine little Chilkat robes being danced by little ones of the 1st Nations people of Yukon. Just way to cool. I think Jennie would be pleased to see this.
Sep 6, 2012 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated |
Just finished this collage directly at high noon today. It’s a part of my ongoing series of mixed-media collages started in 2001 – this one is “Tlingit World Series #099”
This collage is part of an international exhibit commemorating 100 years of Collage art (1912 – 2012) featuring collage artists from the world over opening on Friday, September 14th at the International Museum of Collage, Assemblage and Construction in Pagosa Springs, Colorado. This exhibit is curated by Cecil Touchon, director of the Museum. For information on the exhibit, visit the blog spot. For more information on the museum, to become a contributor and to view a few of the artists’ work, click here.
Stay tuned; I’ll post photographs of the exhibit opening after September 14th!
