Juneau Public Market: Buttonblanket Greeting Cards

GreetingCards

6 of 9 Button blanket robe designs by Clarissa Rizal on greeting cards

The greeting cards above will be some of the items available for sale at the Alaska-Juneau Public Market held Friday, Saturday and Sunday of Thanksgiving weekend in Juneau, Alaska.

I invite you to visit my Booth #‎P-15  right across the isle from Tony Tengs “Chilkat Cones” in the main hall of Centennial Hall.  And please note:  I will be sharing the booth with Tlingit carving artist & silversmith, Israel and Sue Shotridge (www.shotridgestudios.com).

The following is an inventory of items for sale; they include (but are not limited to):

A limited supply of Chilkat weaving and spinning supplies:  Cedar bark without the sap (both whole and split), Chilkat warp, Chilkat weft yarns in golden yellow, turquoise, black and cream, spinning pads, etc.

Books for sale that I wrote, made or co-illustrated include:  “Chilkat Pattern Templates”, the “Chilkat Weavers’ Handbook”; Juneauite author Hannah Lindoff children’s book “Mary’s Wild Winter Feast” — and books that I highly recommend:  “The Intenders” by Tony Burroughs and “Go Pro – Becoming A Network Marketing Professional” by Eric Worre.

Miscellaneous items include:  hand-caste paper feathers, limited edition Giclee prints, hand-sewn, beaded, felt Russian Sailor hats,  and gumboot shell earrings made by daughter Lily and sister Dee Lampe.

Come check out my latest 5-piece Chilkat woven ensemble called “Chilkat Child” which will be on display next to my daughter Lily’s 4-piece Ravenstail woven ensemble “Little Watchman.”

We’ll see you in a couple of weeks during the weekend of Thanksgiving at the Public Market in Juneau (Friday, Saturday and Sunday)!

Clarissa’s Winter Schedule: Art Markets, Presentations, Demos, Classes

Charcoal by Clarissa Rizal

Charcoal by Clarissa Rizal

Here’s my Winter Schedule for upcoming Art Markets, presentations, classes and demonstrations.  If you are in any of these locations, come by and visit; I’d love to see you!

1) One-day Chilkat/Ravenstail Weaving Class, Juneau, Alaska, Sunday November 23rd, 10am-4pm with potluck lunch — this class is for experienced weavers who have a project on their loom and need assistance, comraderie, support and a feast!  Class is limited to just 10.  The Northwest Coast Weavers’ Supply will have weaving/spinning items available for sale BEFORE the Public Market sales; so you will have the privilege to be the first to purchase your supplies for your next weaving project  —   Interested?  Give me a call at 970-903-8386 or email me at:  clarissa@www.clarissarizal.com

2)  Alaska-Juneau Public Market, Thanksgiving weekend Friday, Saturday, & Sunday, November 28-30th, Booth #P-15 in the main room of Centennial Hall on Willoughby Avenue in Juneau, Alaska – Click here to see the list of some of the items I will have available for sale

3)  Portland Art Museum, Portland, Oregon Presentation of “The Making of Resilience Chilkat Robe”, Friday, December 5th; I will also have Chilkat-related items available for sale AND I will have two woven ensembles on display only during this presentation

4)  Evergreen Longhouse, Olympia, WA,  — The Holiday Market is open Friday and Saturday, December 12 & 13; I will only be selling on Saturday! —  Click here to see a list of some of the items I will have for sale.

5)  “Raven’s Nest” Gallery (owned by Sue and Israel Shotridge), Vashon Island, WA — I will be demonstrating Chilkat weaving on a child-size robe; I will also have on display two child-size woven ensembles, “Little Watchman” a 4-piece Ravenstail outfit woven by my daughter Lily Hope, and my 6-pience ensemble  “Chilkat Child.”  I will also have items for sale as well; click list here to see list of some items.

6)  Chilkat Weaving Class, Corvallis, OR – December 15-19th; for experienced weavers with a project on their loom. — This class is currently full.

7)  Heard Museum Juried Indian Art Market & Fair, Phoenix, AZ – March 7-9, 2015

Visit Booth #P-15 Alaska-Juneau Public Market

Grand-daughter Amelie hugs the hand-dyed, merino weft yarns hanging out to dry

Grand-daughter Amelie hugs the golden yellow, hand-dyed, merino weft yarns hanging out to dry — and of course the weft was dry when this photo was shot!

I invite you to visit my Booth ‪#‎P‬-15 at Alaska-Juneau Public Market booth during Thanksgiving weekend at Centennial Hall in Juneau, Alaska!  The booth is right across the isle from Tony Tengs “Chilkat Cones” in the main hall of Centennial Hall.  And please note:  I will be sharing the booth with Tlingit carving artist & silversmith, Israel and Sue Shotridge (www.shotridgestudios.com).

The following is an inventory of items for sale; they include (but are not limited to):

A limited supply of Chilkat weaving and spinning supplies:  Cedar bark without the sap (both whole and split), Chilkat warp, Chilkat weft yarns in golden yellow, turquoise, black and cream, spinning pads, etc.

Books for sale that I wrote, made or co-illustrated include:  “Chilkat Pattern Templates”, the “Chilkat Weavers’ Handbook”; Juneauite author Hannah Lindoff children’s book “Mary’s Wild Winter Feast” — and books that I highly recommend:  “The Intenders” by Tony Burroughs and “Go Pro – Becoming A Network Marketing Professional” by Eric Worre.

Miscellaneous items include:  my button blanket greeting cards, hand-caste paper feathers, limited edition Giclee prints, hand-sewn, beaded, felt Russian Sailor hats,  and gumboot shell earrings made by daughter Lily and sister Dee Lampe.

Come check out my latest 5-piece Chilkat woven ensemble called “Chilkat Child” which will be on display next to my daughter Lily’s 4-piece Ravenstail woven ensemble “Little Watchman.”

We’ll see you in a few weeks during the weekend of Thanksgiving at the Public Market in Juneau (Friday, Saturday and Sunday)!

 

Shgen George: Tlingit Octopus Bags & Other Weavings

Clarissa poses with Shgen George (center) and her daughter Gabby Kay at her first show opening August 1st, 2014 at the Juneau Arts & Culture Center (JACC), Juneau, Alaska

Flanked by two Ravenstail robes woven by Shgen, Clarissa poses with Shgen George (center) and her daughter Gabby Kay at her first show opening during 1st Friday Gallery Walk, August 1st, 2014 at the Juneau Arts & Culture Center (JACC), Juneau, Alaska

Shgen George has been an elementary school teacher for at least 10 years; she carves out time from her other roles as mother, wife, mentor, teacher, and daughter to do her art – it isn’t easy!  Like where do you find the time to do your art when there’s always student’s class assignments to check during the weekend!?   She had an impressive showing of buttonrobes, Ravenstail robes, beaded, appliqued and woven Chilkat and Ravenstail octopus bags!  Wow.  Even I have never had a one-man show and I’ve been at this for nearly 40 years! — Click here for more information on Shgen and her show at the JACC during the month of August.

Shgen says that I am her mentor.  (Really?  Me?)  I am not only her teacher of Chilkat, I am her mentor.  I have never really considered myself a “mentor” – like what does that mean?  Someone who knows a little more about life’s certain topics that shares it on a consistent basis with specific person(s).  She says that I have inspired her tremendously and wants to do what I have done in my life.   I have never had anyone else tell me this; I wonder if there are others who feel the same way?  I had not ever considered myself as someone “to follow in their footsteps…” so to speak.  I am 58 years old this year; I better get on the ball and take my position seriously.  So I have given her some pointers on how to go about doing this: what to watch out for, the dedication, determination and drive of doing art to keep yourself sane while growing up and old all the while becoming more of a human being, and all the while balancing your life with your husband, your kids, your community, your health,…and of course, your other job!

A few years ago, when I saw Shgen’s astounding beadworked octopus bags, I told her that I had woven a couple of octopus bags, one Ravenstail, the other Chilkat.  I encouraged her to weave octopus bags of all kinds, and why not!?  Nobody’s doing it and it’s gotta be done and I’m too busy doing other weavings and works so it might as well be her!  By golly, she’s done it!

Shgen too is part of Jennie Thlunaut’s legacy of a Chilkat weaver.  I know Jennie would be proud of Shgen, her character, her talent and her works.

Congratulations Shgen!!!  And Gunulcheesh to her husband, daughter, mother, father and other community members who have supported Shgen in her achievements!!!

Can we have an Amen!?  Can we have a HOO-HAA!?

 

Tlingit Graduation Cap

Ursala;s Graduation cap

Our family has “style.”  We are very much into creating our own style of dress, decor, language, etc.  My parents were both very stylish and so are my kids.  So when Ursala said she wanted to paint her graduation cap to wear during the Ft. Lewis College ceremony, how could I be surprised?

Clarissa Rizal quickly sketches the design for her daughter’s graduation cap

 

Additions To Our Lives

Clarissa’s four grandchildren, Bette, Louis Violet and Amelie – with another on its way due at end of July 2014

When we are young, we don’t think about the things middle-agedness and old-age may bring us.  We are thinking about getting through the day-by-day stuff and we may plan a little bit into the future maybe 5 years down the road.  The thoughts about preparing for being middle-aged and old-aged are the farthest things from our minds let alone taking action to prepare for it.  That’s like doing everything you can now to prepare for having the perfect experiences in having a baby and raising that kid!  uh-huh.  Live is an ever-changing, ever-learning experience as we grow up, plateau and then “grow-down.”  We learn as we go.

I thought that possibly I would have grandchildren but I really didn’t know what that would look like, nor did I know how I would feel once these kids came into being.  With the addition of these young souls in my life, I’m doing things right now to help provide me with the feeling that I have the time to truly be with my kids.  I say “feeling” because much of the time, when I am with them, I might be there in person, but because I am a full-time artist and the income I make is entirely from my art business, I’m always thinking of my work.  (And all of you who have been a full-time, self-employed artist know exactly what I am talking about—-we do not have the luxury of leaving the office and the rest of the night or weekend is free—-that’s because we ARE the office and we carry our business mind-set wherever we go!).

So for me to FEEL the freedom of truly hanging out with my grandchildren, I’ve got to know that every month my bills will be paid.  That is hard to do with sporadic income.  So I am making attempts to diversify my income.  Diversification doesn’t mean that I will quit doing art for income; it means that I am adding other ways to make income.

Like I said, I am making additions to my life so that I can feel the freedom of truly being with the greatest of all my additions:  my grandchildren!

Past Public Art Projects

 

The photos in this blog entry represent a few public art created since 1987 to present day.  (No, they’re not in chronological order according to date completed).  Some of these art installations are carved, painted, inlaid; some are beaded sculptures using 4mm and 6mm Czech fire-polished and Austrian crystal beads; and some are hand-sewn wool fabrics with buttons and seed beads.

“Dancing Northern Lights” – Anchorage Senior Living apartment complex atrium, Anchorage, Alaska Czech and Austrian Crystal beads, 4 to 5-foot lengths by 35 feet of beadwork

“Going to the Potlatch” – MV Kennicott cafeteria, Bellingham, Washington – carved, painted, airbrushed, beaded & button work – 4.5 feet high x 15 feet wide

“Salmon Return” – Mt. Roberts Tramway stairwell, Juneau, Alaska – Czech and Austrian crystal beads – 4.5 feet wide x 28 feet long

“Salmon Return” detail

“Shaman With Spirit Guides” – SEARHC (Southeast Alaska Regional Health Corporation) foyer, Sitka, Alaska – carved and painted central panel, hand-sewn applique and mother-of-pearl buttons on wool – 4.5 feet high x 15 feet wide

 

“Following Our Ancestors’ Trail” – Alaska Native Medical Center hospital 2nd floor entry, Anchorage, Alaska – carved, painted, airbrushed, copper in-lay, mother-of-pearl buttons, brass brads – 9 feet high x 11.5 feet wide

 

“Following Our Ancestors’ Trail”

the character with the spear represents “..represents .gathering from the sea”

“Following Our Ancestors’ Trail” was the theme for the Sealaska Heritage Institute’s “Celebration” in 1992.  We created a hand-silkscreened poster with this image.  This carving for the Alaska Native Medical Center in Anchorage, Alaska is on the 2nd floor entry.  It is mounted to the curved wall of the “meditation room.”

copper pennies for the eyes….

the character carrying the “basket of berries” represents “..represents .gathering from the land…”

the character in the center carrying the copper T’naa represents the “…history, culture, arts and wealth…”

…the large character in the center design field’s face has hand-pounded copper eyebrows and eyeballs…the large image represents the face of the sun

the character with dance staff is the “elder leading the way along the ancestors’ trail…”

Mother-of-pearl buttons are nailed down with copper brads.  The humans moving in the same direction as salmon…represents living with the natural cycle of life.

view of the right side of the curved wall mural of “Following Our Ancestors’ Trail…”

the inside of the “meditation room…”

full view of “Following Our Ancestors’ Trail…” – the footprints on a path, the ancestors’ trail and the path of the sun; the humans are the “rays of light” as the sun rises, life everlasting

 

Huna Totem Corporation Celebrates Their 40th

The Mt. Fairweather Dancers from Hoonah, Alaska prepare to do their performance in honor of Huna Totem Corporation’s 40th year while shareholder members gather together at the fire pit along the board walk that leads one way to the Cannery Site and the other way to the Resturaunt

Huna Totem Corporation had sent out an RFP to their shareholder artists requesting a design in whatever medium the artist chose to represent their vision statement for the future:  “…sailing the canoe of our ancestor’s into the future…”  My design of a button robe was commissioned.  Click here to the blog entry of the design.

(Note:  In this blog entry you won’t be seeing any photographs of other activities during the 40th celebration because I didn’t attend any others due to a time constraint – I was only at the celebration for not quite an hour.)

After the first “coming in” dance, the Mt. Fairweather Dancers turn their backs against the audience to show each dancer’s clan emblem

During that same weekend of July 26, 27 and 28 was in Teslin, Yukon for the weekend demonstrating Chilkat weaving with several of my apprentices during their  biennial “Kus Te Yea Celebration 2013”.  (click here to read the blog entry on the Celebration event.)  Huna Totem implored me to come down to Hoonah on the day of their event, Saturday the 27th, to do the presentation of the robe  and explain the design; they wanted me to do this in person so I was plugged into the agenda at 1:30pm.  Even though I really didn’t want to leave my students and to leave the Teslin Celebration for a day, I agreed to go to Hoonah (especially since Huna Totem has been good to me, I will do the same for them!)

Young children, Fran Franolovich, Lillian Hillman and Marlene Johnson enjoying the youth of the Mt. Fairweather Dancers

I don’t know what other events happened during the day at Huna’s 40th celebration because I really didn’t have time to partake in the events, so I cannot give you any other information other than tell you about my spectacular drive from Teslin to Skagway and the return flight from Hoonah to Skagway via Juneau and Haines.  (Click here to see the blog entry on the return flight from Hoonah to Skagway.)

Huna Totem Board Members and M.C. Kenny Grant are invited to dance with the Mt. Fairweather Dancers

The drive from Teslin to Skagway was 3 hours; absolutely one of the most beautiful drives in the world!   (I kept in mind that Yukon time is one hour ahead of Alaska time.)   I caught the plane from Skagway to Juneau at 11:45am; it was a 45 minute flight to Juneau; then caught the 12:45pm  20-minute flight to Hoonah arriving a little bit after 1pm and by the time I arrived at the Cannery Point, it was about 1:45 and luckily the program was running a little late, I had just enough time to eat a bag of chips, briefly say hello to Kogo Hugo and meet her mother from Japan, and say hello to Florence Sheakley and check out her beaded earrings, and then it was time to do the presentation.  After explaining the design (click here for blog entry on the robe design and explanation), I had about 10 minutes to enjoy the rest of the Mt. Fairweather Dancers’ performance and then I was whisked away and caught the outbound flight to Juneau at 3:30 with board members of the Huna Totem; we arrived in Juneau by 4:00.  I had an hour to hang out at the consignment shop “Alaska Dames” before catching the 5:30 flight to Skagway via Haines.  The pilot said he just had to take a few extra minutes and do a flight like that since the weather was so perfectly beautiful!

The flight from Juneau to Haines was phenomenal (click here to see the blog entry on that fabulous flight); the pilot took us on a scenic flight of the local glaciers in the Juneau area:  the Mendenhall, Peterson and Eagle; he flew over Berner’s Bay, then across Lynn Canal up towards the mouth of the Chilkat River just south of Haines – then we flew UP the Davidson Glacier, flew around the back side of the front range of the Chilkats and then DOWN Rainbow Glacier, passed Paradise Cover (where I once had land), over Pyramid Island and then landed at the Haines airport – Holy what a flight!!!

When we flew up Davidson I cried I was so happy I unbuckled my seat belt and looked out both sides of the plane’s window; I just love this land, I love the Chilkat range, I love the Chilkat river; I so be-long here!  I swear that when I die, I want my ashes spread up and down these Chilkat glaciers and at the mouth of the Chilkat River and at Paradise Cove!

By the time I arrived in Skagway, it was 7pm (that’s 8pm Yukon time).  I could have spent the night in Skagway, but I just wanted to make the drive back to Teslin and wake up to another day of demonstrating in our little “weavers’ cabin” on Teslin Lake for the last day of Teslin’s “Kus Te Yea.”  I got detained at the Yukon Alaska border because I got into a half-hour conversation with the border guard about politics, art, cultural integration, etc.  It was already 9:30 by the time I left the border and I was getting tired.  I had to pull over a couple of times to rest; I was avoiding falling asleep at the wheel.  The weather was beautiful the entire day; the night was just as astounding.  At this time of year, the sky does not get totally dark, so there are no stars to see, though the natural evening midnight sun light was gorgeous; everything looked “rosie.”  I passed 3 cars during the entire drive from Skagway to Teslin, arriving at midnight.   And there were never any cars behind me.  I suppose I was the only car heading North from Skagway for those particular hours.  It was eerie.  I don’t think I will do that drive by myself again!

Mentor and Dance Instructor Billy Wilson rests while he watches his “children” do the songs and dances

This particular Raven Dancer knows how to strut!

The pride and unity of the Mt. Fairweather Dancers!

During my brief visit to this event in Hoonah, I looked about me at all the folks who came out to help celebrate Huna Totem’s 40th year – everyone looked so familiar even though many of the people I did not recognize.  I looked about and realized that the elders that I was used to seeing were no longer; I realized that the folks who were just 10 to 20 years older than me were really not that much older than me!  whoa!  I am becoming one of those elders!  Holy moly!

After spending an entire month with the in-land Tlingit in Yukon where there is no ocean, no ocean smell, not as much moisture in the air, I truly felt like I fit in with those people, yet, coming down to Hoonah even for an hour, I felt a true kinship with the land here too, of course with its people – my clan the T’akDeinTaan are originally from here – we were branched down from the Coho from the Alsek River in the Yakutat area – I have to remember that I am a “coastal Native” (as the in-land Tlingit define us).

M.C. Kenny Grant reads the real copy of Clarissa’s latest brochure. He was going to read from a xerox copy of the brochure that someone handed to him so he could introduce Clarissa properly when she presents the button robe she was commissioned to create in honor of Huna Totem’s 40th year; when Clarissa saw that his was a copy and not the real thing, she presented him with his own very real brochure! Kenny’s immediate response: “Hey,…this is MUCH BETTER! Now I can actually READ it!”

I would post a photo of myself presenting the Button robe that I recently completed for Huna Totem’s 40th, but I didn’t take a photo of me explaining the design to the celebration audience.  I will post one as soon as someone emails or texts me a photo image of it!  In the meantime, click here to see the design and creation of the button robe BEFORE delivering the completed robe to Huna Totem.

Gunal’cheesh Hoho!  Thank you very much for visiting my blog and reading this entry!

 

Adaka Festival’s Native Art Exhibit 2013

A partial view of the annual Adaka Native Art Exhibit only held for a week during the Adaka Festival – exhibitors in this section were: Coppersmith Brian Walker, Carver Wayne Price, Weaver Lily Hope and Regalia-maker Clarissa Rizal

Charcoal on canvas 6-foot column by Clarissa Rizal next to painter, Jean Taylor

Several Yukon beadworkers’ moccasins are housed below Carver Jimmie Joseph’s masks next to Clarissa Rizal’s charcoal on canvas

Hanging up in the rafters as part of the artshow below are two Ravenstail robes woven by Ann Smith flank Clarissa Rizal’s Chilkat robe