Aug 1, 2011 | Adventures of Rear-Mirror Rissy, Class Act, North Tide, Tlingit Culture Accentuated |
Charlene concentrates on beginning the next row - her very first Ravenstail weaving!
While researching the old Chilkat robes in the museums around the Northern Hemisphere, artist/weaver/author Cheryl Samuel also came across the Ravenstail style of weaving. Her first Ravenstail weaving class was held at the Totem Center in Ketchikan, Alaska in November 1989; I attended that first class. Since then, whenever anyone asked me about learning Ravenstail weaving, I’d recommend Cheryl. However, 22 years later, I conducted my very first official Ravenstail weaving class in Teslin, Yukon Territory (Canada) during the week of their cultural “Celebration 2011” July 25 – 30, 2011.
During Teslin's "Celebration 2011" the class had many visitors checking out the weavers' tedious and wonderful work - We wove a small Ravenstail pouch in 3 days
Charlene demonstrates creating the corners to her classmates
Dan Shorty and Charlene Baker with their completed Ravenstail weavings - (I apologize for not having a shot of the entire class with their completed weavings!)
Ainu elder inspects Rose's recently-completed Ravenstail pouch with Wayne and Debra Carlick
During the class, a group of Ainu visitors from Japan were guest performers at Teslin’s Celebration. Although we there was a language barrier, we used lots of gestures and facial expressions to communicate the similarities of our spinning and weaving techniques.
The Ainu spin their warp exactly like ours with two strands of fiber with the exception that they spin in mid-air using their thumbs and we spin our warp on our thigh
Ainu performers from Japan with Cedar bark weaving instructors Debra Carlick (Atlin, B.C.) and Lily Hope (Juneau, AK) and Ravenstail instructor Clarissa Rizal
Mar 9, 2011 | Honoring Others, Showing Off, Tlingit Culture Accentuated, Uncategorized |
A painting of Eileen Wagner weaving a cedar bark hat
A couple of weeks ago, Della Cheney contacted all of us who have attended the Sunday afternoon gathering of artists at Fireweed Place. She said that the group was invited to display any of their work in a show down at the Juneau Arts and Culture Center. When she asked Fausto and I to help set up the exhibit last Thursday night, I figured we’d have a few things to show – little did I know we would fill up an entire room! And little did I know that I had anything to show until Della asked me to show some of my paintings and prints. Ha-eh!?
Cedar bark hat in display unit by Eileen Wagner, cedar bark baskets by Della Cheney, Chilkat leggings on loom by Fausto Paulo
We were also invited to demonstrate whatever projects we may have on our looms and hat forms, so about 9 of us showed up, set up tables down the middle of the exhibit room and demonstrated the weaving of cedar bark hatbands, baskets and hats, Ravenstail pouches, leggings and bags, and the weaving of a Chilkat robe.
Juneau Arts & Humanities Director, Nancy DeChurney talks with Della Cheney about this evening's Gallery Walk exhibit
There is a feeling of cooperation and inspiration as we all work individually on our own projects sitting side-by-side with a kind of quiet companionship, the stuff that is made of long-term relationships that will most likely last a lifetime whether we are conscious about our efforts or not.
Patrice DeAsis weaves a cedar bark hat while coils of cedar bark soak awaiting to be stripped
Debra O'Gara and Kendra Makaily enjoy Ricky Tagaban's Ravenstail weaving made of plastic garbage bag strips. In the display case are Percy Kunz's first Ravenstail weavings
The beginnings of a small Chilkat robe by Nora Dauenhauer, a pair of Chilkat leggings and Chilkat by Patrice DeAsis, "Totemic Theory" acrylic on canvas by Clarissa Rizal, a pair of moccasins by Percy Kunz, and button blanket bib by Mary Ebona Miller
Percy Kunz weaving a small cedar bark basket - her pair of sealskin and moosehide mittens are in the foreground - Fausto Paulo's cross-stitched Chilkat tunic is in the background
Della Cheney explains her robe design to Melinda Cavanaugh - Fausto Paulo to the left concentrates on his latest Ravenstail weaving
With assistance from his mother Lorraine DeAsis, Joshua prepares cedar bark strands for weaving by running the bands through the "stripper"
Armondo DeAsis and his brother Antonio, are weaving another round of cedar bark headbands
Folk Festival president Greg McLaughlin with wife, Lis Saya and inventor, John Ingalls hang out enjoying all who attended the exhibit
Irene Lampe and her son, Richard, are excited about "digging in" to the wonderful refreshments
Thank you to all who came out on this cold, slightly-blustery evening and joined us for a round of pleasant artistic company and a bite to eat.
Feb 28, 2011 | Class Act, Tlingit Culture Accentuated |
Nora Dauenhauer files away her weaving notes in her attache' case of;Chilkat weft yarns
For the past year, Della Cheney has been hosting a group of artists every Sunday afternoon at the Fireweed Place here in Juneau, Alaska. Like Della, most of the artists are Ravenstail weavers, cedar bark and/or spruce root basket weavers, although some of them include additional talents like beadworking, and leather work making moccasins and mittens. When Chilkat weavers joined the basket and Ravenstail weavers last Sunday, Fireweed Place’s activity room was packed. There was a lot of fun and excitement. Time flew!
Yoko Kugo explains to Della Cheney the research she is conducting about whether or not there are effects of climate change on the cedar trees.
There are no specified “teachers” in the group, as we are all learning from one another and teaching one another. There are those of us who know how to weave cedar bark hats, yet are learning how to make moccasins; those that know how to weave Ravenstail and are learning how to weave cedar; those teaching Chilkat who are learning Ravenstail. The combination of learning and teaching goes on and on.
Lorraine DeAsis reinforces her children's knowledge of weaving cedar bark headbands and hats by weaving right along side all four. L to R: Patrice, Joshua, Lorraine, Armondo & Antonio
Leandrea Makaily works diligently on her Chilkat headband
Mary Ebona Miller is weaving three Ravenstail projects on her loom
Shgen George is spinning Chilkat warp on her thigh
Kendra Makaily is learning cross-stitching from Debra O'Gara
Lily Hudson is refreshing Nora's memory about weaving her "bear claw" pattern
A bowl of cedar bark soaks while Patrice DeAsis weaves a cedar bark hat
Eileen is one of Della’s basket weaving students; she has learned enough to pass on her knowledge to others in the group. Although I started my cedar bark hat with Della almost two years ago in a class in Teslin, Yukon Territory, Eileen is helping me complete the very edge of the hat. Both Della and Eileen are wonderful teachers. I’m enjoying the comraderie of these women and all those who are attending the Sunday gatherings.
Eileen Wagner shows Dorothy Owen the 6-strand finishing row of her cedar bark hat
Of course, there are some of us who bring food to share. Eileen is one of those follks. She has been co-hosting this gathering of weavers every Sunday with Della Cheney providing some sort of a hot dish of salmon with rice, snacks and vanilla wafers. She takes really good care of us “kids!” We wanna come back every Sunday for more of everything!
