Northwest Coast Artists’ Gathering 2012 Sponsored by SHI

 

2008 Northwest Coast Artist Gathering - Juneau, Alaska ----- Insert L to R: Aldona Jonaitis, Nicholas Galanin, Nathan Jackson, Marianne Nicholson -- sponsored by Artstream Alaska with support from Sealaska Corporation

In 2010 and again this year in 2012, Sealaska Heritage Institute has assumed the role of sponsoring an artists’ gathering held the day before the biennial “Celebration” gathering of the Tlingit, Haida and Tsimpshian peoples of the Northwest Coast.  The artists’ gathering is scheduled on Wednesday, June 6th, 11am to 3:30pm at the Old Armory (now the Juneau Arts & Culture Center).  All artists working in the Northwest Coast Native art traditions are invited to this event.

For clarity purposes, this artists gathering is a spin-off on the original productions created and sponsored by the non-profit organization Artstream Alaska in 2006 and 2008.

Although the original directors and producers, Preston Singletary and Clarissa Rizal are not a part of the coordination of this year’s event,  the following is a brief history of the original Northwest Coast Artists’ Gathering…

Northwest Coast Artists’ Gathering 2006 & 2008 – sponsored by Artsream Alaska

The original Northwest Coast Artists’ Gatherings were sponsored by Artstream Alaska with additional financial support from Sealaska Corporation. The mission of the Northwest Coast Artists’ Gathering is to bring together artists and facilitators that work in the indigenous northwest coast style of art: to foster dialog; to develop connections; to explore new materials and techniques; to inspire new work; and to create a community that is inclusive and thoughtful, and that honors tradition while moving into the 21st Century.

In 2004 Alaska Native artists Clarissa Rizal and Donna Beaver were photographing and filming at “Celebration 2004,” for their regalia documentary project. Clarissa spent time with long-time friend and fellow Tlingit artist Preston Singletary. The concept of creating an artists’ gathering began when Clarissa and Preston talked and wished for an opportunity to meet each other’s artist buddies (Clarissa introduces Donna and Preston). They had no idea that they would meet over and over again, even later that year in September 2004, with approximately 20,000 Native Americans from all over the hemisphere at the opening of the Smithsonian Institution’s National Museum of the American Indian (NMAI). and with assistance from Artstram’s Board of Directors and other volunteers, Preston and Clarissa coordinated the first  NWCAG in 2006; four years later in 2008, and again with assistance from Artream’s BOD and volunteers, Chloe French coordinated the Northwest Coast Artist Gathering receiving support from the NMAI.

The Northwest Coast Artist Gathering was a unique opportunity for artists from all backgrounds who work in Northwest Coast inspired art forms to meet and share information about themselves and their work.  The event was sponsored by  our non-profit Artstream Cultural Resources (now Artstream Alaska) and partially funded by Sealaska Corporation.  Artstream Alaska held the first Juneau event in May 2006, one day before Sealaska Heritage Institute’s well-known biennial Celebration. This first Gathering – as it is sometimes referred to – was a one-day event and drew about 125 artists and arts organization representatives.

The second Artist Gathering in June 2008 was a two-day event, again sponsored by Artstream Alaska with partial funding from Sealaska Corporation and NMAI and coordinated by artist Chloe French.  The first day featured an artist panel discussion on Native Alaskan art-related issues, sponsored and organized by the NMAI. Several Alaskan Native artists made up the panel — including Marianne Nicolson from Victoria, B.C., Nathan Jackson from Ketchikan, and Nick Galanin from Sitka, along with moderator Aldona Jonaitis, Director of Museum of the North, University of Alaska, Fairbanks.  Later, all participating artists were given the opportunity to introduce themselves during a Power Point Presentation featuring their work; this is a highlight of the event since many have either seen an artist’s work and not met the artist or have met the artist but was not familiar with their work!  During the second day, Gathering participants worked on an interactive collaborative design project based on the issues discussed during the morning’s panel discussion. Keynote speaker Walter Porter from Yakutat gave his lecture,“Box of Daylight” (view Walter’s lecture from event). Both days’ activities were held at the Old Armory in Juneau.

Many events occur during the Sealaska Celebration.  Artstream was pleased to be able to provide space at the Old Armory for the HAIL awards ceremony, spearheaded by the late Andy Hope III.   HAIL stands for “Honoring Alaskan Indigenous Literature” and that organization’s event presented awards to five outstanding Native Alaskan writers, of which Clarissa Rizal received one of the awards for her “Jennie Weaves An Apprentice:  A Chilkat Weaver’s Handbook.” Artstream also agreed to rearrange its Gathering schedule to accommodate Sealaska Heritage Institute’s final set up preparations for the Native Artists’ Market, which was also to be held in the Old Armory following our event.

The Gathering’s volunteer organizing committee included Clarissa Rizal, Preston Singletary, Aldona Jonaitis, Jan Steinbright, Donna Beaver, Chloe French, Doug Waugh that reflected a mix of cultural and professional backgrounds, including teachers, artists, curators and arts activists, both Native and non-Native.  A big thanks to all the artists who attended and all our volunteers who made 2006 & 2008 Gatherings a success!

Northwest Coast Artist Gathering 2006 & 2008 coordinators L to R: Doug Waugh, Aldona Jonaitis, Alan Pizzarelli, Donna Beaver Pizzarelli, Clarissa Rizal, Jan Steinbright, NMAI art director Keevin Lewis, and Preston Singletary

The 2012 Native Artists Gathering sponsored by Sealaska Heritage Institute is inviting all Native artists to bring photographs of their work to share and network.  There will also be an artist panel discussion and light refreshments.  We envision SHI’s gathering of artists is a welcomed event and enjoyed by all!

Old Timer’s Basketball Poster From the Early 80’s

Hand-silkscreened limited edition of the Old Timer's Basketball Tournament poster, Juneau, Alaska - 1983?

Holy Moly!  I just found a couple of copies of this original, hand-silkscreened poster I designed back in the early 80’s – 1981, ’82 or ’83.   The image depicts a Raven and and Eagle each grasping a basketball with their claws with a basketball hoop between their heads

I am willing to let go of these last two originals – they are in excellent shape; they are hand-printed on red cedar-like paper and cut in a diameter of 20 inches; this limited edition is signed and numbered –  for $495.00 each

As I mentioned, I only have two available; if you want one, then better contact me real quick!

If these don’t sell beforehand, I will have them available for sale at the Sealaska Art Market during Celebration 2012, Thursday through Saturday, June 7, 8 and 9,  in Juneau, Alaska – come take a look at other prints and paintings I’ll have available!

Santa Fe Indian Market 2011

Buyers at Clarissa Rizal's booth during Indian Market 2011

Sealaska Heritage Institute worked with the Santa Fe Indian Market sponsor  Southwest Association of Indian Art (SWAIA), to create the Southeast Alaska venue of artists and performers located at the St. Francis Cathedral Park across the street from the Institute of American Indian Arts Museum in downtown Santa Fe.

An Alaskan presence of Tlingit, Haida and Tsimpshian artists at the Santa Fe Indian Market included Nicholas Galanin, Beckie Etukeok, Celeste Worl, Louise Kandinger, Donald Gregory, Holly Churchill and Clarissa Rizal

Clarissa's booth at the Santa Fe Indian Market 2011

Crystal Worl, Beckie Etukeok and Clarissa putting the ends up in the back of the Chilkat robe at the Santa Fe Indian Market

Alaskan Tlingit storyteller, Ishmael Hope on stage at the Santa Fe Indian Market

Featured Alaskan dancers at the Santa Fe Indian Market were the Mt. St. Elias Dancers from Yakutat

Watch the Mt. St. Elias Dancers – Santa Fe Indian Market 2011 <http://www.youtube.com/watch?v=xDKzpn5Hr04>  
http://www.youtube.com/watch?v=xDKzpn5Hr04

 

For the World I Did Not Miss David Katzeek’s Lecture on True Education

Compelling Tlingit lecturer David Katzeek

I dropped all my other deadlines this past Monday and ran into town just to see David Katzeek speak; who wouldn’t?  30 years ago, David was the Executive Director of the Sealaska Heritage Foundation.  I used to work as their Scholarship Coordinator.  He was the first to tell me how my clan, the T’akDeinTaan were known for their singers and clan songs.  (I think he knew I could kind of hold a tune in a bucket.)  he always had words of encouragement for everyone.   Back then he was just finding this big voice deep within.  Over the  years I have had the opportunity to hear this compelling speaker;  he is an invaluable treasure.  

Standing room only at the Sealaska Corporation's board room "brown bag" series of lectures during Native American Heritage month

David spoke about providing the basics of learning how to learn and the importance of positive reinforcement conveying to each human being that they are a “precious” being.  Sealaska Heritage Institute has been sponsoring these Monday brown-bag lectures.  If you missed David’s lecture, grab a cup of tea or coffee, light a fire or candle and be inspired while you watch Sealaska Heritage Institute’s video at:   http://www.vimeo.com/17573934

Familiar locals in the audience: photographer Brian Wallace, curriculum developer Linda Belarde, lawyer Kathy Ruddy and I suspect a Juneau Empire reporter because he acted like one!

The Juneau Empire’s Tuesday edition also has a review of David’s lecture at:  http://juneauempire.com/stories/120710/loc_746903841.shtml

Alaska Native Guitarist Jam

Andy Cadiente, Ben Quick, Arnold Haube, Betty Marvin and Rick Hutseson

Do you know any of these people?  Did you know they knew how to play the guitar? – Half of these folks I did not recognize, the other half, well, I had no idea they played music!  Like where have I been?

Familiar faces in Southeast Alaskan towns is a given.  Depending on the town, some of us are related to everyone!  If you are a public figure head, then everyone knows or at least recognizes you, even if you are the town clown or the town drunk.   Then there are those of us who are independent and reclusive; few people remember our face – (now listen up people, I’m not necessarily referring to me!)

Andy Cadiente and Ben Quick

Sealaska Heritage Institute sponsored a Native Guitarist Jam on Monday, August 30th from 5-7pm at the Old Armory, now called the JACC (Juneau Arts and Culture Center).  The poster design caught my eye a couple of weeks before the event.  The poster had a Tlingit design by Preston Singletary on the front of the guitar.  (The colors of the poster and the concept of a Native design on a guitar reminded me of the poster that my Ex designed and silk-screened for an Archie Cavanaugh performance back in the 80’s.  In fact, Archie will be using this design concept for his second album to be released soon this Fall/Winter.)   The poster for this event too was quite striking and intriguing –  “Native Guitarist Jam?”  What’s that?  Huh? – On a Monday late afternoon?  Huh?

Just the event title alone was enough of an impetus let alone a Monday and a late afternoon?  Later, I figured that the event was accommodating to the Alaska Summit conference held next door at the Centennial Hall?  I’m not sure, I’m just guessing.

(Hey, how come it took an entire 2 weeks before this event was posted to this blog?  Cuz my laptop would not receive my photo disc because it said there was “an error” so I had to take it to Fred Meyers to get the photos onto a disc and just how often do I go to Fred Meyers?  And hey, I’m a busy girl, so there.  No more excuses.)

Cyril George plays a jazz riff

I first met Cyril George in Angoon when I was 16 on a Totem Center youth trip led by Gilbert Lucero back in the Fall of ’72.  I’ve known him in the context of Native leadership in culture and politics.  What a surprise: I had no idea he could play the guitar.

Andy Cadiente

And did I know the Cadiente family had another older brother – like where does he stand in the long line of service-oriented  Cadiente’s?

George Paul Gospel singers include his wife, Verna with back up from Ben Quick, Arnold Haube and Betty Marvin

Betty Marvin explained to the audience that the group had only practiced together 3 times before this public performance.  Even as modest a venue and crowd, they were brave to share their music.

Arnold Haube and Betty Marvin

An appreciative audience

Matriarch Irene Cadiente and some members of her family

An estimate of 150 folks showed up for this first-time event.  Rosita Worl, Executive Director for the sponsoring organization Sealaska Heritage Institute, would like to make this an annual event, and include other Native musicians locally, regionally and nationwide.  Well, you just never know.  I remember how the Alaska Folks Festival got started back in 1974 at the Alaska State Museum; it was a one-night, 2-hour gig with about 8 local acts.  My Ex and I were one of the acts.  So ya just never know how big something may get; if you have a strong personality with a strong vision who is organized and who can gather up a bunch of volunteers, that’s all it takes to expand.  Rosita has it all.

Rosita Worl, Executive Director of Sealaska Heritage Institute thanks all the guitarists

Many thanks to Rosita and her staff at the Sealaska Heritage Institute for introducing these closet musicians to this community.  I feel it’s just the beginning!

“A Hundred Thousand Drops of Rain” Directed by Ed Littlefield, Written by Ishmael Hope

Young "stars" of "A Hundred Thousand Drops of Rain"

Dan and I were headed out to pick berries on this rare sunny day in Juneau, but we got sidetracked by attending the last performance of “A Hundred Thousand Drops of Rain” directed by Ed Littlefield, with assistantdirector/stage manager Austin Tagaban and written by Ishmael Hope, was sponsored by Perseverance Theatre’s annual STAR (Summer Theatre Arts Rendevous) program.

The boy and his dog...

The shaman decides it's not going to hurt to go out on a date; they're just talking, that's all...

The canoe journey to...

The "good woman's" sillouette...

Pleading to have his way...

It is an extremely challenging play, Hope said, based on shamanism and dealing with themes of cultural healing and regeneration.

One of the children in the play told her mother that she didn’t really understand what was going on in the work, which he says, in a sense, “is wonderful.” Growing up, Hope said there were culturally significant seeds that were planted in him by his family and heritage which he didn’t fully recognize until later.

“When I became a man, they continued to help me become human,” he said. “We are not born fully human, we have an unusually long period of growing up. When you’re young, you’re still forming, so when you’re older you go, ‘Wow, there was this thing guiding me the entire time.'”

Cast members included:  Kevin Allen, Savannah Strang, Kendrea Makaily, Bryan Johnson, Talia Lee Davis, Maxwell Peterson, Kenneth Morris, Savannah Leisholm, Adriann Rusch, Taylona Lafferty and Kyndra Blacks.

The STAR program is a five-week program that provides Juneau youth with the highest quality theatre training and performance opportunities available in Alaska.  Launched by Perseverance Theatre in 1982, the STAR program has provided professional theatre instruction to youth for the past 28 Summers, offering training in acting, directing and playwriting.  this specialized training culminates in final, fully-realized public productions.  In 2002, STAR was recognized by the National Endowment for the Arts as one of the 16 outstanding American arts programs for young people.

Special thanks to Sealaska Heritage Institute for providing scholarships for Alaska Native students in the STAR program.