Embelishing With Buttons on a Roadtrip to Alaska

Embellishing a belt with antique mother-of-pearl buttons using a box as my "third hand"

During my drive from Southwest Colorado to Prince Rupert, British Columbia to catch the ferry home to Juneau, Alaska, I spent my days making belts while Dan drove.  I was making these belts to sell during the Native art market hosted by Sealaska Heritage Institute at “Celebration 2012” in Juneau.

This "third hand" support was so convenient on this long road trip; it also held my glue, floss, pin cushion, scissors, leather needles, etc., and it held the next set of belts I was sewing! This cardboard box is a real keeper!

Flathead Lake, Montana

We drove through beautiful country; some I missed because I was either sleeping OR I had my head in the box sewing away!

Was I really sewing belts on a windy day on the side of the road near a glacier in Banff National Monument or was I just posing for this photo for my blog?

In Banff/Jasper National Monument

If you want to experience dramatic scenery in Banff/Jasper National Monument, go in May when the roads are generally clear, the sun is fairly warm and the snow is still on the mountains OR go in the Falltime when the colors are spectacular along with newfallen snow – check your weather report before embarking on one of the most beautiful drives in North America!  I’ve done this drive twice in the past two years; awesome!

You really SHOULD BE HERE!

Completed “Argillite Totem”

A close up of my "Argillite Totem"Although messy, charcoal is fun to work with.   I enjoy the instant contrast from dark to light depending on pressure and the number of strokes in a given place.

You may visit the previous blog ent

Adding more charcoal to obtain higher contrast

I used a workable fixative; next time I’ll use a non-workable fixative for the final coat!

Clarissa sprays fixative on her "Argillite Totem" stapled to the studio wall outdoors

I started this charcoal back in March; you may visit the blog entry that posted the beginning of this charcoal at by clicking here.

The finished piece waits on a table for the body of the wood frame column

I waited for the frame to be built before I sprayed and applied the canvas to the column frame.

the completed piece photographed with a mirror behind it

“Argillite Totem” with a mirror behind it to see a glimpse of the other side of this totemic column.  –  This won 2nd Place in the Contemporary arts category of the Sealaska Heritage Institute’s Juried Art Show 2012.

See a video of the awards ceremony:

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Completing the Eagle Raven Lovebirds

Clarissa lays out buttons onto recent "Eagle Raven Lovebirds" button robe designed by Preston Singletary, robe fabric choice and fabrication by Clarissa Rizal

Preston and I have finally collaborated on an actual art piece.  We have worked together for a few years creating the Northwest Coast Native Artist Gatherings, and we’ve been working for the past who knows how many years towards creating a large glass Chilkat robe – maybe this robe is the impetus for actually making the glass robe come into reality real soon!

Lily assists in laying out the buttons while son, Louis checks out his mother's carefulness

Lily and Louis Hope helped do the button layout; it’s nice to have a family affair especially with cool kids!

Lily begins to glue down hundreds of buttons

Another version of Lily working on the robe while Louis naps in the Ergo baby carrier

completed button robe

The completed robe waiting to be packed up for the Native Art Market at Celebration 2012 in Juneau sponsored by the Sealaska Heritage Institute

 

The Real Alaskan Stroller!

Stroller Pack - invented and created by John Ingalls of Juneau, Alaska

Back in the early 80’s, John Ingalls had a shop where he designed and manufactured these Stroller Packs – a stroller that can glide over sand, snow, rock, gravel, wooded paths, tundra and any other Alaskan terrain.  This stroller easily converts into a back pack (see photo below showing the straps).   This is the most coveted stroller by mainly Juneau families who enjoy the ease of traveling with their toddlers in the great outdoors of Alaska.

Stroller Pack label

John Ingalls is originally from Cincinnati, Ohio.  He is the great grandson of the great-grandpa Ingalls who was a co-inventor and best friend to Ben Franklin.  John is a musician; he plays any kind of flute there is and also constructed large Andean panpipes made from titanium; pretty dang cool.  When John’s kids were young, John saw the need for real stroller, one that can collapse and fits into the overhead compartment on the jet, one that can travel in any terrain whether natural or man-made,  maneuvers and turns on a dime and one that is considerably lighter than any other stroller of its magnitude.  So he began creating this stroller and pretty soon everyone in town wanted one.  Then before you know it, the business took off.  I consider John to be the “Godfather” of Juneau – my definition of a godfather is not the normal definition.  My definition of godfather is the man who watches out and over the community in which he lives.   A man with few words, he pays attention to the distinct characteristics of all the locals.   Although known as being an eccentric, John has a heart of gold.

Stroller Pack - back showing the shoulder straps and waist strap

The Stroller Pack company was a family affair back in the 80’s.  He designed and re-designed them, ordered all the fabrics, ordered all the parts, welded certain pieces together, and my son was the “fitter”, the guy who put the framework together, my Ex did the logo design, brochure layout, photography, etc., and I sewed all the parts that could be sewn.

Where can you buy one of these strollers or at least try one out?  Well, if you live in Juneau and you see someone with one, stop and ask them about their StrollerPack; most owners are delighted to share their experiences.  I also have this one in the photographs.  I bought this one after I quit working for John on my move out of Alaska to Colorado back in 1993.  I figured I would use it when I became a Grandma, however, 19 years later, now that I’m a 4-time Grandmother, my children would rather have me use their fancy $450 3-wheelers that are so stylish these days – the design and function of the Stroller Pack does not appeal to them.  What!?–you mean there is such a thing as “stroller fads!?”   Who woulda known!?

I cleaned out the entire attic’s worth of 18 years of family member’s piles.  The Stroller Pack has been up there collecting dust; never been used but maybe once.  If you are interested or know of someone else who is interested in this Pack, feel free to contact me.  John no longer manufactures them anymore; I’ll let this one go for $350.00!   Come on; go for it!

An “Argillite” Charcoal

The beginnings of Clarissa's "argillite" done in charcoal

Well,…not only am I finally getting around to posting new posts on my blog, I am finally getting around to doing more work in charcoal – in this case, a charcoal done on raw canvas.  I call it my “argillite carving.”  (What is argillite?  It is a black stone from the British Columbia area suitable for carving.)  When completed, this piece will be approximately 30 inches wide x 6 feet tall.  I’ll post the finished product when I complete it – stay tuned!

Our Class Videos on U-tube

nDigiDreams videography class - Institute of American Indian Arts - Santa Fe, NM September 2011

Spearheaded by Jennifer Coots, Business Program Professor, the Institute of American Indian Arts Indigenous Studies Department sponsored a class, for those of us interested in being introduced to creating 5-minute videos.  Each of us told a personal story related to our cross-cultural upbringing and experiences leading to how we were led to attend The Institute of American Indian Arts in Santa Fe.

Our teachers were Carmen and Brenda from nDigiDreams.  nDigiDreams conducts community-based digital storytelling training workshops. “We believe our diverse cultures, identities, histories and stories hold enormous strength and beauty and we seek to train and empower indigenous individuals and communities with new media tools to realize optimal health and wellness.”  Carmen and Brenda have conducted workshops in Indian Country; think about hosting a workshop in your community.  You may check out their website (and view other storytelling videos) at:  http://www.ndigidreams.com/

Brenda Manuelito, Jennifer Coots (IAIA Business Professor) and Carmen Rodriquez

You may view my very first video entitled “Generations of Love Made Visible” along with some of the students’ videos on U-tube.  Cut and past this link onto your browser:   http://www.youtube.com/playlist?list=PLBF1FA84C49C930F7

Thank you very much for visiting!

Clarissa’s First Gallery Show at the Stonington

"Raven Knows Its Light" multi-media collage with faux pas painted frame - Clarissa Rizal

It’s hard to believe I actually got enough material together for a half-way decent show of some of my contemporary paintings and collages!  The show opened on Thursday, September 1, 2011 at the Stonington Gallery in Seattle, Washington.  My works were in good company with a couple of other friends of mine, Chloe French and Preston Singletary.  Yes, all the works are for sale via the Stonington.

Stonington Gallery show opening - September 1, 2011

"Totem Theories Revisited" acrylic painting on canvas by Clarissa Rizal

Stonington Gallery show opening September 1, 2011

Tlingit World Series #092 - Clarissa Rizal - 2011

The above collage is a series based on the original painting “Ravens Prepare for Next Ice Age.”

"Jennie Weaves An Apprentice" Chilkat pattern board (for the Chilkat robe of the same name) - acrylic painting on canvas - Clarissa Rizal

If you are in the Seattle area, check out the show or…

Read about the opening show article in the Seattle Times – Friday, September 23, 2011:  http://seattletimes.nwsource.com/html/thearts/2016289325_ar23tlingit.html?syndication=rss

 

“Jennie Weaves An Apprentice” Chilkat Robe Finally Finished

During the Santa Fe Indian Market Sealaska stage, Likoodzi modelled the 4-piece Ravenstail ensemble "Copper Child" (a collaboration of mother and daughter Lily Hope and Clarissa Rizal) and Crystal Rogers modelled "Jennie Weaves An Apprentice" Chilkat robe (hot off the loom) handwoven by Clarissa Rizal

Likoodzi and Crystal smile at a full audience at the Santa Fe Indian Market - August 20-21 - The beaded deerskin dress and hi-top moccasins were made 30 years ago by Kate Waters Boyan for our mother Irene Lampe

Watch the Fashion Show of Northwest Coast Tlingit regalia at Sante Fe Indian Market August 2011 – video courtesy of Lee Cooper

<http://www.youtube.com/watch?v=PVrc0iXy9EE>
http://www.youtube.com/watch?v=PVrc0iXy9EE

The Chilkat robe pattern board designed by Clarissa Rizal painted on canvas applied to wooden frame - Photo by Lee Cooper

Crystal Worl and Beckie Etukeok assist in putting up the ends in the back of the robe

Close-up of the braid ends in the back of the robe

Crystal Worl and Clarissa put up the ends in the back - photo by Lee Cooper

Clarissa's booth at the Santa Fe Indian Market 2011

St. Frances Cathedral Park the morning after Indian Market - photo by Lee Cooper

Here are three more videos taken by Lee Cooper at the Santa Fe Indian Market 2011:

“Jeanie Weaves an Apprentice” Chilkat robe being taken down from the loom (before completion of putting up the ends in the back) for the Sealaska Heritage Institute’s fashion show of Tlingit regalia 1 <http://www.youtube.com/watch?v=8RW6-CPYYIY>
http://www.youtube.com/watch?v=8RW6-CPYYIY

Fashion Show of Northwest Coast Tlingit regalia at Sante Fe Indian Market August 2011 <http://www.youtube.com/watch?v=PVrc0iXy9EE>
http://www.youtube.com/watch?v=PVrc0iXy9EE

The beginning of the flash flood as the completed Chilkat robe is removed from the loom. <http://www.youtube.com/watch?v=KuZT4LOU5bc>
http://www.youtube.com/watch?v=KuZT4LOU5bc

Privileges of Painting With A View

A "Catabiense Alba" rhododendrun blooms outside the window overlooking mountains and water. My latest painting: "Jennie Weaves An Apprentice" an acrylic on canvas, is part of a series with this design as its base. It is also the "pattern board" for the Chilkat robe I am presently weaving and intend to complete by mid-July!

I’ve been a privileged girl all my life.  My basic needs have been met.  I’ve had a roof over my head, decent food to eat, wild water to drink, and nice clothing if I want (but now I’m stuck on black sweatpants over the past 8 years and nobody can get me out of them!).   No matter where I have lived in Juneau, there is always a beautiful view because it is just about impossible to not have a view of mountains, meadows, trees, a river, creek and/or the ocean.   Although the past two years have been a challenge and I’ve struggled to maintain my basic needs, I am quite blessed with having a wonderful view while I am painting my next 6 original paintings on canvas and  new collages.  Like what more do we need when we’ve got astounding views to create by, right!?

Painting in the kitchen studio - only for another month, then it's time to move again...("pack it in, pack it out - pack it in, pack it out...")

I am planning on creating a series of 4 to 6 original acrylics on canvas with the same name as above, but numbered in sequence of their creation.  Each one will have the foundation of the Chilkat robe pattern board, but a completely different painting.  I’m excited about doing this series of paintings.  I’ll have one of them for sale during my first show (ever!) at the Stonington Gallery in Seattle, opening September 1st.  The others I am hoping I will have completed by the Santa Fe Indian Market August 20-21st.

At Home With Evergreen Longhouse

Three robes grace the work space of Silver Cloud Art Center in Haines, Alaska run by Cherri and Wayne Price who hosted a Chilkat Weavers' Retreat in April 2009 - Darlene See (Hoonah, AK) quietly works on her Chilkat robe

How many of you know about Evergreen Longhouse?   I do not remember how I found out about them, but two years ago, I received a couple of grants from them that helped support my travel to two projects that I spearheaded:  1).  the Chilkat Weavers’ Presentation and Demonstration at the 2009 Clan Conference in Juneau in March, and directly following the demonstration was the Chilkat Weavers’ Retreat in April in Haines, Alaska; and 2).  the purchase of warp yarns to begin my 6th robe, a combination robe of Chilkat and Ravenstail.

Chilkat Weavers' Retreat participants included (L to R): Clarissa Rizal, Darlene See, Bev Morris, Patrice DeAsis, Alice (obscured), Debra Michel, Isabelle, Lily Hudson and Ann Smith - the men in the background are Wayne Price (project host) and Brian Walker (Ann Smith's husband)

“The “House of Welcome” Longhouse Education and Cultural Center is a public service center at the Evergreen State College.  Built in collaboration with Northwest tribes, it is the first building of its kind on a public campus in the United States.  The Longhouse is a multi-purpose facility, able to serve a variety of educational, cultural and community functions.  Founded upon a vision of hospitality and service, it is a gathering place for people of all cultural backgrounds to teach and learn with each other.

image of the evergreen longhouse

The Longhouse’s public service mission is to promote indigenous arts and cultures through education, cultural preservation, creative expression and economic development.”

Chilkat Weavers' Demonstration at the 2009 Clan Conference in the lobby of Centennial Hall in Juneau, Alaska

The Longhouse is mainly run by a team of three women, Tina Kuckkahn-Miller, the Executive Director; Laura Grabhorn, Assistant Director and Coordinator Bonnie Graft.  I met Laura during our 2008 Northwest Coast Artist Gathering during Power Point Presentation of Artists and Arts Organizations (see sponsoring organization Artstream Cultural Resources).  I am totally impressed with the staff of this organization and what this organization has done for the Native artist, and their communties.  Over the past two years, I’ve encouraged many Native artists to visit the Evergreen Longhouse’s website and apply for the two types of Native Artist grants they have to offer.  Click here to visit their website.

Weavers Kay Parker (Juneau), Lorene Hanlon (Seattle), and Debra Michel (Atlin, B.C.) during the Chilkat Weavers' Demonstration and Presentation at the 2009 Clan Conference, April, Juneau, Alaska