Aug 8, 2014 | Class Act, Honoring Others, Tlingit Culture Accentuated, To Market To Market |
Louet yarns held in small hand-woven cedar bark baskets – “The Coppers” Chilkat robe limited-edition block print by David Svenson, 1984
The Northwest Coast Weavers Supply (http://nwcoastweaverssupply.com/) online shop has been launched !!! This is THE online source we have all needed! This is our one-stop shop to buy Ravenstail or Chilkat warp and the best commercially-spun 100% merino weft yarns by company-brand “Louet” — NWCoastWeaverssupply.com will also begin carrying looms (for local delivery only), loom bags, no-sap cedar bark (bark is boiled to remove sap for splitting to spin with your wool), merino wool roving, and instruction books. And within the year, nwcoastweaverssupply.com will also offer other items for sale such as cloth covers, tote bags, mugs, greeting cards, warp sticks, embellishment items, etc.
Owned and operated by Lily Hope in Juneau, Alaska, place your order now on line for your weaving projects or classes by clicking here or give Lily a call on her cell at: 907-957-8378
Aug 2, 2014 | Honoring Others, Tlingit Culture Accentuated |
Flanked by two Ravenstail robes woven by Shgen, Clarissa poses with Shgen George (center) and her daughter Gabby Kay at her first show opening during 1st Friday Gallery Walk, August 1st, 2014 at the Juneau Arts & Culture Center (JACC), Juneau, Alaska
Shgen George has been an elementary school teacher for at least 10 years; she carves out time from her other roles as mother, wife, mentor, teacher, and daughter to do her art – it isn’t easy! Like where do you find the time to do your art when there’s always student’s class assignments to check during the weekend!? She had an impressive showing of buttonrobes, Ravenstail robes, beaded, appliqued and woven Chilkat and Ravenstail octopus bags! Wow. Even I have never had a one-man show and I’ve been at this for nearly 40 years! — Click here for more information on Shgen and her show at the JACC during the month of August.
Shgen says that I am her mentor. (Really? Me?) I am not only her teacher of Chilkat, I am her mentor. I have never really considered myself a “mentor” – like what does that mean? Someone who knows a little more about life’s certain topics that shares it on a consistent basis with specific person(s). She says that I have inspired her tremendously and wants to do what I have done in my life. I have never had anyone else tell me this; I wonder if there are others who feel the same way? I had not ever considered myself as someone “to follow in their footsteps…” so to speak. I am 58 years old this year; I better get on the ball and take my position seriously. So I have given her some pointers on how to go about doing this: what to watch out for, the dedication, determination and drive of doing art to keep yourself sane while growing up and old all the while becoming more of a human being, and all the while balancing your life with your husband, your kids, your community, your health,…and of course, your other job!
A few years ago, when I saw Shgen’s astounding beadworked octopus bags, I told her that I had woven a couple of octopus bags, one Ravenstail, the other Chilkat. I encouraged her to weave octopus bags of all kinds, and why not!? Nobody’s doing it and it’s gotta be done and I’m too busy doing other weavings and works so it might as well be her! By golly, she’s done it!
Shgen too is part of Jennie Thlunaut’s legacy of a Chilkat weaver. I know Jennie would be proud of Shgen, her character, her talent and her works.
Congratulations Shgen!!! And Gunulcheesh to her husband, daughter, mother, father and other community members who have supported Shgen in her achievements!!!
Can we have an Amen!? Can we have a HOO-HAA!?
Aug 1, 2014 | Latest Art Projects, Showing Off, Tlingit Culture Accentuated, To Market To Market |
Pair of Chilkat armbands .22 bullet shells on fringe; will add fur trim and line with leather; hand-dyed blues and yellow — woven by Clarissa Rizal — July 2014
Like the “Resilience” Chilkat robe I just completed in June, I am finally getting around to weaving an idea I had 20+ years ago: an 8-piece Chilkat/Ravenstail ensemble called “Chilkat Hombre” which includes these armbands above, “dreadlock” headdress (like I wove over 10 years ago for my “Copper Woman” outfit), a chest sash, pair of gauntlets, codpiece and Chilkat/leather chaps! Stay tuned for more images of the other pieces; I intend to complete the entire ensemble by March 2016 !
Jul 30, 2014 | Class Act, Tlingit Culture Accentuated |
Back-side of the Chilkat face by Crystal Rogers
Crystal Rogers has returned towards completion of her child-size Chilkat robe. She began her apprenticeship with me last summer during our Chilkat weaving retreat and tour in Yukon and the northern parts of southeast Alaska. (Click here to read about the weaving tour and see many, many photos)
Front side of Crystal’s Chilkat face of her child-size robe
Any student or apprentice who learns Chilkat weaving with me is directly part of Jennie Thlunaut’s Chilkat weaving legacy. I am proud of Crystal for completing her Chilkat face. She has learned just about everything I learned from Jennie Thlunaut nearly 30 years ago…now she is on the Chilkat path of a life-long learning process by way of weaving, weaving, weaving!!! Congratulations Crystal! — Anytime you need assistance in your weaving, you know how to get a hold of me!
Jul 22, 2014 | Class Act, Tlingit Culture Accentuated |
The beautiful natural blonde Ravenstail weaving “classroom” held in the livingroom of Cabin #1, part of the Teslin Motel, Teslin, Yukon Territory, Canada
Teslin Cultural Center rented what I call a log cabin “mansion” to host a Ravenstail class/retreat held morning, noon and night for two weeks this past July 7-21. Weavers stocked the fridge with fresh fish and rhubarb; someone always brought food – we ate like queens! We wove like monsters!
Marge Beaufeld, Nita Clarke and Gwen Wally
One of the most fabulous things about teaching is when the student’s “light goes on” – like, yeah man, they get it! Things are clicking and continue to click after that! Yeah, can we hear an AMEN!? Can we hear a HOO HA!?
Marge and Nita check the speed of Clarissa’s fingering…!
Students teaching students – fantastic!
I bought 7 books of the Ravenstail Patterns (Contemporary and Ancient) compiled by the Ravenstail Weavers’ Guild (contact Kay Parker (907)-586-2491 for copies of the book). Instead of weaving the exact same headband, I suggested three simple designs from the handbook for the students to choose from using the design patterns and colors in whatever order they wish – each headband was very different from the next! In this way, each headband was personalized.
Trisha and her mother Louise Baker each wove a project on the same loom – Here they are beginning to wrap the warp ends of the Ravenstail headdress and once finished will remove from the loom.
L to R: Patricia Baker, Clarissa Rizal, Nita Clarke, Louise Baker, Bev Morris, Marge Beaufeld, Gwen Wally (Missing: Denise & Kelly Sam)
The log cabin on Teslin Lake; approximately 2300 square feet includes 1 bedroom and 600 sq. ft. loft, full kitchen, and laundry room is about $200/night
I’ve never been one who has been attracted to log cabin style of homes – I’ve always had the judgment that they were big for nothing, however, all of that was changed when I first stepped into the magnificence of the blonde wood making everything golden, though I understand that with age, the wood becomes darker and sometimes grey (which I don’t really like especially growing up in the grey Southeastern Alaskan weather)…
My own personal “weaving room” – the upstairs loft which is almost as big as my own studio though with a fantastic view of the lake free of any sign of human lights from cars, houses, etc.
Thank you to the coordinator of this class, Melaina Sheldon from Teslin Cultural Center! Thank you TCC for sponsoring this class retreat. All of us truly appreciate your support!
The start of Clarissa’s child-size ensemble: robe, apron and headdress – multiple weavings going at once motivates the weaver to WEAVE!
I’ve spent the last five Summers in Yukon; I realize that I LOVE YUKON!!! I love the landscape, all the wild animals (I saw bear, moose, lots of rabbits, wolf, and even lynx!), and I just love the people in this culture. The way people are reminds me of the way we were in Juneau 40 years ago: real. People are very real in Yukon; generous, sharing, accepting, matter of fact, no-nonsense, practical and they’ve got that “wilderness within” quite in tact with that real “native” sense of humor that always makes fun of ourselves – Not like those of us in politics.
Midnight on Teslin Lake; I enjoyed this view at the foot of my bed every time I retired for the day, enjoyed when I’d wake up in the middle of the night with the moon rise and enjoyed every morning at 5:30 with the sunrise – a luxury that I soaked up and will keep with me for a long time!
Already I am planning my return to Yukon next Summer with two weaving retreats in the works; first one to be held at Wayne and Cherri Price’s “mansion” (one of the big, white Ft. Seward houses), Haines, Alaska two weeks BEFORE the Adaka Festival (June 26-July 2, 2015) in Whitehorse and the other campout retreat on the shores of Teslin Lake near the Teslin Cultural Center two weeks BEFORE their “Kus Te Yea” Celebration (July 23, 24 & 25, 2015). If you are a weaver and are interested in attending, keep these dates in mind and stay posted to my blog!
Jul 15, 2014 | Adventures of Rear-Mirror Rissy, Class Act, North Tide, Tlingit Culture Accentuated, Uncategorized |
The sandblox at the Atlin Music Festival was the same size as last year, but it seems this year it was the main hot spot at any given part of the day with at least 50 young children of toddlers up to 10 years old
Atlin Tlingit Louise Gordon is a co-founding member of the Atlin Music Festival. This is the second consecutive year she has invited indigenous Ravenstail and Chilkat weavers to demonstrate our traditional weaving styles at the Atlin Music Festival. Atlin is located in the upper part of British Columbia, Canada, just on the Northeastern side of the mountains from Juneau, Alaska. Click here for more info on the annual music festival in beautiful Atlin, B.C.
Sharon Shorty and Marge Baufeld demonstrate Ravenstail and Chilkat weaving in the Artists’ Tent at the Atlin Music Festival, Atlin, B.C.
Gunalcheesh, Louise Gordon for inviting us to demonstrate our weaving traditions at the Atlin Music Festival !
The Atlin Music Festival’s Campsite Specs has its sense of humor designating the quiet campers to the left of the sign and the noisy campers to the right!
I just loved this sign: “quiet, family, relax, zen, sleep peacefully…camp on the left of this sign” and those of your who are “loud, noisy, party, music, late hours…camp to the right of this sign…!”
There is the place for campers and RVs, then there’s the “Tent City” with a fabulous view!
I never really appreciated outdoor music festivals until this year…! Like down in Colorado, we’ve got them everywhere in almost every little town and big towns…it’s the norm; kids grow up with this kind of culture. I didn’t,…alas, I grew up in a rainforest where we could not count on a sunny day to plan something way ahead of time like an outdoor concert much less a day of picking berries without a raincoat!
Jul 5, 2014 | Adventures of Rear-Mirror Rissy, North Tide, Tlingit Culture Accentuated |
Wolf and Eagle headdresses worn by the children of the KwaanlinDun First Nations during their performance
What is the Adaka Festival? And where the heck is Whitehorse, Yukon Territory? And why does Clarissa just talk about Yukon Territory all the time?
This child dancer with the mask and leather gloves danced like the old-timers going down with low bent knees and extended arms with hands fluttering: wow! Bought back memories of my elder teacher Harry K. Bremner, Sr. from Yakutat, Alaska
My oldest daughter Lily Hope and excellent carver friend William Callahan – one of the best young carvers in all of Yukon!
New Zealand Maori carver, singer, musician Lyonel Grant presented slides of his work – and Tahltan Tlingit carver Dempsey Bob with his granddaughter
William Callahan and the Smith/Walker family (Shawn, Ann and Brian)
Wayne Price tells the story behind the song he sang: the migration under the glaciers
My daughter Lily and the great uncle Wayne Price of Lily’s son, Louis…so does this mean I am related to Wayne? Hmmm….shoulda known!
Jul 4, 2014 | Class Act, North Tide, Tlingit Culture Accentuated |
Louise Baker pays attention to Lily Hope teaching Diane Knopp how to dress her next weaving project on the loom
Ann Smith and I taught our second weaving class together in Chilkat and Ravenstail weaving during the week-long Adaka Festival in Whitehorse, Yukon Territory. Lily Hope assisted for four days (her first time being away from her family!).
Ann Smith drafts out pattern configuration for Ravenstail design
Ann Smith and I were two of Cheryl Samuel’s first students to learn Ravenstail back in 1989. Since then Ann has woven approximately 5 Ravenstail robes and numerous smaller weavings and has taught classes in Yukon and British Columbia. Ann was one of my first students in Chilkat weaving back in 1991; in fact, she inspired me to weave robes instead of weaving contemporary pieces of regalia. Only recently have I decided to incorporate weaving smaller items in my time line!
Clarissa demonstrates the fantastic fingering technique of her teacher/mentor Jennie Thlunaut. L to R: Dan Shorty, Stefanie Sakinya, Diane Knopp, Andra Hunter, Clarissa, Marge Baufeld, Louise Baker, Sally Lutchman, Charlene Baker
Most of the techniques and spiritual information I teach are directly from my apprenticeship with the last of the traditional master weavers, Jennie Thlunaut from Klukwan, Alaska who passed away in July 1986 two months after she taught me. All students who learn from me are a direct lineage of Jennie’s legacy, the most prolific Chilkat weaver of all time with 50 robes and 8 tunics.
Lily Hope demonstrates weaving techniques on Clarissa’s child-size Chilkat robe to visitors at the Adaka Festival
Lily Hope has been weaving Ravenstail for nearly 10 years. She started weaving Chilkat weaving 4 years ago when she was an assistant teacher during one of my classes in Juneau; little did anyone know that as she was “student teaching” she was for the first time learning how to weave Chilkat!!!
Louise Baker (Tagish) measures her warp for the child-size headband using Jennie Thlunaut’s old-time technique of cutting a piece of cardboard to the length of the project, wrapping the warp loosely but evenly around the board and then cutting one end, before hanging strands on the loom
The class is fairly full with 10 eager students
Lily demonstrates how to “dress” your loom
Ann helps Marge Beaufeld with her first braids while Nita Clarke whizzes away with happy anticipation of another weaving!
Charlene Baker (Whitehorse) shows Debra Michel (Atlin) the additional weaving she has on her loom – one is her first Chilkat weaving the other is her combination of Chilkat and Ravenstail (of which she is well versed).
Debra Michel weaves her second Chilkat weaving, a dance apron she designed…
Lily helps Zach James (Haines, AK) establish his first row of his Ravenstail pattern while Dan Shorty pays attention
Andra Hunter and her mother, Sally Lutchman contemplate what to do next
Stefanie Sakinya Sidney has begun another weaving project on the other side of her loom…!
Ann Smith (with her granddaughter) have fun with Nita Clarke – (let’s face it people, Chilkat and Ravenstail weaving is a lot of work, but it’s fun work!)
Ann reminds the weavers to be mindful of keeping their “stitches” even
Stefanie, Zach, Lily Sharon and Louise
L to R back row: Debra Michel, Charlene Baker, Diane Knopp, Sharon Shorty, Carver Dempsey Bob, Marge Beaufeld, Nita Clarke – Front row: Clarissa Rizal, Ann Smith, Louise Baker (missing: Lily Hope, Zach James, Sally Lutchman, Andra Hunter)
I am totally impressed with the commitment and dedication of the Yukon weavers. It is quite an honor for us to teach weavers who are eager to learn and eager to create more dance regalia for their family, friends and community members. This experience has been an instructor’s dream. And I know it was Jennie’s dream come true as well. She was the last traditional weaver; imagine how she must have felt! Imagine what she would feel if she were to see the number of wanna-be-weavers that have come out of the woodwork to dedicate themselves to a life-long learning process! I know only a small fraction of what she would feel; it has brought me to my knees with gratitude and compassion to be a part of Jennie’s legacy – to be a part of the traditional Chilkat weavers’ legacy and to be a part of this present-day legacy of this younger generation who will carry this forward. Can I have an Amen!? Can I have a Hoo-haa!
Looking through the class window at Clarissa’s yellow “Chilkat mobile” in the parking lot of the KwanlinDun Cultural Center in Whitehorse, Yukon
Thank you to Charlene Alexander, Executive Director of the Adaka Festival (in it’s 4th year), who coordinated another year of this amazing event and once again has invited us to teach weaving! Thank you to all the weavers who came out to learn more about our traditional weaving styles; Gunalcheesh!
Jun 22, 2014 | Acting Out and Musical Chairs, Adventures of Rear-Mirror Rissy, Class Act, Honoring Others, North Tide, Poetry Alaskan, Showing Off, Tlingit Culture Accentuated |
Of all the things I have ever aspired to be and do, it’s never been to be a lead singer, or one of the singers in a band! Though at the request of my friend the glassblower, Preston Singletary, I thought I’d give it a go. We sing traditional Tlingit songs with the back up of a fantastic sound called funk jazz fusion played by outstanding musicians that practically blew flutist Gene Tagaban and I right off the stage with the very first drumbeats at our very first performance in Seattle the night of June 20th. We are called “Khu.eex” (pronounced “koo eeeexch” which in the Tlingit language means “potlatch.”
Preston’s other band is called “Little Big Band” – this band is a totally separate band with a totally different sound from Khu.eex, You may visit Little Big Band’s website by clicking here at “A Little Big Band.com”
The following are a few photos of “Khu.eex” taken by Dan Shanks and I:
Let’s introduce you to “Khu.eex” – L to R: drummer from New Orleans Stanton Moore, Clarissa Rizal, keyboard player from New Jersey Bernie Worrell, Seattle musicians: bass player Preston Singletary, flutist/spoken word Gene Tagaban, saxaphonist Skerik, lead guitar Captain Raab, and sound engineer Randall Dunn at Avast! Studios, Seattle.
Read more about the various band members & the recording studio on their websites:
Bernie Worrell, keyboard artist: http://www.bernieworrell.com
Stanton Moore, drummer: http://www.stantonmoore.com
Preston Singletary, bass: http://www.prestonsingletary.com
Gene Tagaban, flutist/spoken word/singer: http://www.storytellingraven.com/
Clarissa Rizal, singer/spoken word: http://www.clarissarizal.com
Avast! Recording Studios: http://www.avastrecording.com/
Preston rounded up Gene, Captain Raab and Clarissa to create the set list.
I thought to myself “man, this is serious, we are really performing for an audience and are no longer in the recording studio…” like “hello, wake up dearie, we are not in Kansas anymore…!” The following photos are rehearsal shots:
Preston, Stanton Skerik and Bernie during our one rehearsal directly before the first of two shows on the evening of Thursday, June 19th, Seattle,Washington.
Here are a few more shots of our performances:
When are we going to take this troupe on tour? Well, a few things have to line up: First, Preston is working on finalizing the recording sessions and it looks as though there is enough material for two CD’s. Secondly, Preston’s two kids have to get a little older by about two years so that they can come on tour with us. Thirdly, we have to do some fundraising (maybe via Kickstarter) to pay for the tour.
And fourthly, for me, now that my throat is pretty much healed from last Winter’s spell of pneumonia, I can continue to take my voice lessons from Brett Manning’s Singing Success.com – click here to find out more about how you can take these fun voice lessons — if I can take voice lessons, you can take voice lessons! Being a part of Preston’s band, I feel like I have to contribute more than just being able to sing the native tunes; I have to really learn how to sing so my voice is an actual instrument allowing me to be more CREATIVE!!!
Bernie Worrell with Dan Shanks (who was the photographer for most of the photos on this blog post).
Both Bernie and Dan (as well as Gene Tagaban) are part Cherokee — can you see the resemblance? I can….(elongated shape of skull/face, certain width at bridge of nose, ears are flat to side of head, and the human kind graciousness of their character…)
Jun 16, 2014 | Class Act, Tlingit Culture Accentuated |
Clarissa reveals some of her tricks-of-the-trade, special suggested techniques and the “mistakes” in her recent Chilkat robe “Resilience” to the students in her One-day Weaving Class
Directly after Celebration, Sunday, June 15, 2014 in Juneau, Alaska, I conducted a one-day weaving class for weavers of all experience levels pertinent information gained from my apprenticeship in 1986 with the last traditional Chilkat weaver, Jennie Thlunaut; combined with my experiences as a weaver and teacher of this traditional art form over the past 30 years. Most of the information was directed towards Chilkat weavers though some of the information can also be applied towards Ravenstail weaving. This one-day class was to provide the spiritual aspects of weaving, tricks-of-the-trade and to inspire weavers to get back to their weavings!! It did not matter if weavers were students of mine or from another teacher; all were invited to attend.
Nila Rinehart helps Clarissa and Deana Dartt-Newton remove her “Resilience” Chilkat robe from the loom
One of the best aspects of this class is that we had approximately 20 students from all over the Northwest Coast as far North as Whitehorse, Yukon Territory throughout Southeast Alaska and into Alert Bay and Kincolith on the Nass River, British Columbia. For me, it was a hoot to have weavers introduce themselves to one another and begin the process of networking!
My assistant and daughter, Lily Hope shows Mary Ebona Miller how to strap just a headboard to the backside of a chair to use as her “loom” – Davina Barrill (orange shirt), Seattle and Donna Cranmer (Alert Bay, B.C.)
Lily demonstrates weaving tricks-of-the-trade to (L to R): Karen Taug, Crystal Worl, Irene Jean Lampe, Nila Rinehart and Crystal Rogers
Donna Cranmer begins weaving her next project of several projects!
Donna Cranmer’s daughter, Gwinti checks out cousin Marley’s work.
Ricky demonstrates an easier method of “dressing” your loom to Karen Taug, Nila and son, Laine Rinehart
Juneauites Crystal Worl takes notes as Crystal Rogers shows Stefanie Sidney (Whitehorse) how to anchor down her heading cord
Vanessa Morgan (Kincolith, Nass River, B.C.) and her child-size Chilkat robe with her starfish/frog clan Clarissa translated into Chilkat design
The next generation of weavers – watch out for them: Crystal Rogers, Crystal Worl, Stefanie Sidney and Amber Baker (Pelly Crossing, Yukon)
Verna Hunt (Alert Bay, B.C.) shares the color and type of yarn she uses for her weavings with Laine Rinehart (Juneau)
Melissa Rinehart (Seattle), Verna and Laine all analyze another type of weft yarn
Ricky Tagaban (Juneau and Charlene Baker (Pelly Crossing, Yukon) share weaving techniques
Angoon weavers Shgen George and Jackie Kookesh share weaving information as they look at Shgen’s newly-hung warp for her first Chilkat roge!
Ricky inspects Shgen’s Chilkat octopus bag – Shgen holds another octopus bag in her hands
Weavers are taking a breather before our potluck feast!
Thank you to all the weavers who came on this past Sunday morning; it was great to see you all together and many of you meeting one another for the first time. Gunalcheesh!
Jun 15, 2014 | Honoring Others, Latest Art Projects, Ravens & Eagles, Showing Off, Tlingit Culture Accentuated |
“Resilience” Chilkat robe – Clarissa Rizal – June 4, 2014 -photo by Jeff Laydon, Pagosa Photography
After 3 months of preparing the bark and wool then spinning the warp and dyeing the weft, and then 5 months of weaving the robe with at least 8 up to 12 hours per day of daily weaving time, I finished the robe on my 58th birthday, June 4, 2014! You may read the design description of the robe in an earlier blog post from last year at by clicking: http://www.clarissarizal.com/blogblog/?p=2914 (You may also find additional blog posts about the progression of this robe under the category “Latest Art Projects” in the left hand column of this blog page.)
The initial drawing of “Resilience” Chilkat robe copyright 2013 by Clarissa Rizal
Materials ready to go: Full-size pattern, basket of warp, basket of yellow, black, white weft, and basket of blue weft
Clarissa Rizal completes weaving the logos of Sealaska Corporation, Alaska Native Brotherhood and Alaska Native Sisterhood and prepares to weave the Sealaska Heritage Institute’s logo
The beginning of SHI’s logo (bottom center)…
Of all the parts of the robe that I was not looking forward to was the weaving of the Sealaska Heritage Institute’s logo! However, once I got it started, I had so much fun and i felt such an affection as if the “human body” was actually a real entity, a real person! — You are probably wondering why the figure is upside down…it’s because this logo is the actual “tail” of the shared body of the Eagle and Raven clan. The tails of the main figure(s) is always drawn upside down.
On May 5th, I had a bike accident causing big bruises everywhere, especially my hands. And though my hands took a long time to heal and I was in pain, I had to get the robe done by June 11th because I SAID I WOULD and there was an institution that had commissioned this from me and by golly I was gonna “getterdun!” So I swathed my hands several times daily with the famous healing skunk cabbage ointment “Skookum” made by Harlena Warford out of Hoonah, Alaska,…and I used the three fingers on each of my hands to get the job done come hell or high water! (And because I know that I AM the “hell and high water” there was nothing of which to be afraid!!)
Clarissa Rizal completes and dances her robe on her 58th birthday, June 4, 2014…!
At the Canoe Gathering in Juneau, Alaska during Sealaska Heritage Institute’s biennial “Celebration”, Carver Wayne Price is flanked by Portland Art Museum’s Curator of Native American Art, Deana Dartt-Newton and designer/weaver of the robe, Clarissa Rizal. This is my third Chilkat robe Wayne Price has worn for me.
PAM now houses the robe in their permanent collection. According to Deana, as long as she is the Curator of Native American art at P.A.M., this robe will always find its way into ceremonies and Celebrations. Thank you, Deana!
Jun 14, 2014 | Adventures of Rear-Mirror Rissy, Honoring Others, Relationship Overdrive, Tlingit Culture Accentuated |
Clarissa with Donna Cranmer (Alert Bay, B.C.) and Ann Smith (Whitehorse, Yukon) at the Sealaska Art Fair during Celebration 2014, Juneau Alaska — Louis Hope receives a pair of mukluks
There was a core group of us weavers, like little more than a handfull who were weaving Chilkat back in the late 80’s; some of those women were Canadian, some were Alaskan — didn’t matter, we were all related somehow! They included Ernestine Hanlon, Suzi Williams, Anna Brown Ehlers, Irene Jimmy, Ann Smith, Donna Cranmer, and myself. There were not very many of us back then; not like today. (I apologize if I forgot to include you!)
It was sure good to meet up with Donna and Ann; we all hadn’t seen one another in 13 years! From 1992 to 2001, we would have Indigenous Weavers’ Gatherings once or twice a year; they began with our hostess Ernestine Hanlon in 1992 in Hoonah – from there we organically grew…a weaver would host a gathering in her home in her home town…we hosted them in Juneau, Haines, Sitka, Alert Bay, Prince Rupert, etc….and it’s been so long, I forget where else!
It’s a darn good thing I blog else I’d forget what I’ve done and where I’ve been and who’ve I done whatever I did where and when! It’s really hard to keep up with myself!
