Guiding Northern Lights Into Ocean’s Black Hole

“Standing like a strong man on black waves

she claws brilliant bands of yellow, green and blue;

pulling down, she guides bands of light from a dark heaven

into a wide black hole at her feet

where the illumined ocean is filled by its shaft moving straight through to earth’s core

into shaped petals making full the heart, preparing to bloom with a form left to wonder

In time soon, real soon”

This dream I had during the last of two nights staying at a friend’s house boat in the cove a few minutes East of Hoonah.  It was October 30, 2003.

I stood on the ocean waves between the cove and Hoonah.  I could see Hoonah off in the distance with its city lights illuminated and reflecting off the dark ocean ripples…the dark sea rolled easy, glassy waves; it was night.  The Northern Lights above rippled almost in unison with the gentle roll of dark waves.  I reached up and clawed at the a band of northern lights which made its way in my direction, so I guided them into a black hole about 18 inches wide at the base of my feet.  Imagine yourself in my shoes; it was quite an exhilarating experience.  When I awoke, my eyes were wide open, staring into the early morning hours, my body vibrating.

Some day I will create a piece of art based on this dream; maybe a button robe or a painting, maybe do a print of the painting – or all of the above!  The illumined heaven of light and creation are endless!

A Headhunter Sculpturor In Our Midst

Scraping down to the clean bone with no trace of hair or meat

I had no idea we’d have a head-hunter in our family.  Just goes to show ya never know what kind of in-laws you’re gonna get.  Heads come to him by way of ancient road kill, hiking trails, friends and family who drop them by the door or ship them to him, or he orders heads off the World Wide Web.  When I first met him a few years ago, I thought he was just the lead singer in the band, Knucka and a house-painter on the sideline.  Then last year when I visited my daughter and he, I saw sculptures on the walls I wasn’t sure about – I’d never seen anything like them; where were these from?  who made them and how?

What's cooking out there in 20 degree weather?

It’s a New Year.  Chris Haas was itching to get to work on another new sculpture, but there were no clean heads available.  However, he had a few heads sitting out back that needed to be cleaned, so he fired up his black cauldron.  So what if it’s 20 degrees out there?  You gotta do what you gotta do!

Very, very old left overs

He boiled the heads for a few hours until the hardened skin became workable.  Every piece of hair, skin and left over meat must be scraped clean.  Using a sharp, strong knife, he wears thick leather gloves and stands up wind from the steaming cauldron.  Kids, don’t do this without supervision.

Kind of smells like something's stewing but don't want any, thank you

Hold on now, just about done - just gotta clean behind the ears

Enlightened heads bask in setting sun

Want to see what these heads will look like once Chris is done with them?  You must check out Christopher Haas’ new website at  Haastyle Art.    In fact, if you come across any heads you’d like to see put to creative use and supports a young family, Chris is a fair headhunter and accepts donations or will pay a fair price.

Attending the Institute of American Indian Arts

Navajo artist and IAIA student, Shawn Nelson painting an "Uncle Sam"

Have you thought about going to an art school?  Want to attend one that only has less than 300 students?  Want to go to school with a variety of Native Americans from all over this continent?  Want to learn about film-making?  Painting?  Traditional pottery?  Print-making?  Computer graphics?  The Art of Business?   During the 2009-2010 school year, I attended the Institute of American Indian Arts in Santa Fe, New Mexico.  Although lots of hard work, it was a blast!   I intend to return.

Melissa painting an entry from a B&W photograph

Even though I am presently living in Juneau, Alaska, I am still working towards obtaining my BFA at IAIA.  How can I still be working towards my BFA even though I’m living in Juneau?  I am taking online courses via the University of Alaska Southeast!  My very first online class was last night in our “Art Appreciation.”  Taking these online classes works for me because I am doing a lot of business travel  this Winter into Spring.  Have laptop, will travel.   You may visit UAS’s website at:  http://www.online.uas.alaska.edu

You may want to  visit IAIA’s website at:  http://www.iaia.edu/ after checking out some of these photos…

My "Marketing Plan" presentation during finals week - I had my classmates gather around my monitor to check out the Power Point Presentation that I learned in my "Intro to Digital Media" class taught by Carlos Peinado

Surprisingly, my most favorite classes at IAIA were not necessarily the art classes (although I thoroughly enjoyed my art classes), but my Marketing/Business Classes (that are a part of the Business Certificate Program), and to my utmost surprise, the Introduction to Digital Media class, where I learned how to do Power Point Presentations, create and print a brochure, lay out a book and get it printed, and podcasting.  Professor Jennifer Coots brings the Art of Business to IAIA – and she is one heck of an excellent instructor.  The enthusiasm in our classes is at the base of our beloved teacher.   You would not necessarily think that doing business classes would be exciting; yet, Jenn addresses many issues that arise such as the conflict of the Native and Western values in regards to the marketing and sales of Native art – she made us think about these things that were not at the forefront of our minds yet were outward struggles that many of us had been dealing with.

Beadwork artist Tammy Rahr's Marketing Plan presentation was an actual art booth set up as if she were at an art market, selling her beadwork, packages of beads, display of products, her brochure and business cards, etc. We loved it!

Taos Pueblo artist, Sharon Vargas, painted on cardboard, brown paper bags and discarded computer boxes - I'm going to do that some day too!

Of course, one of the best things about attending art school is the inspiration from all the other artists doing their thing the way they do their thing; I’ve included a few of my favorite classmates in this blog entry, alongside a photo of my Intermediate Painting instructor, Jeff Kahm.   I had other students and faculty who also inspired my work, but I didn’t get very good shots of them and their work so I didn’t include them on this blog entry.  You see?  I have to return to IAIA just for this reason!

Latifa and her mixed-media painting on canvas

World artist Vigalie paints a hand while Professor Jeff Kahm models his hand

Artist Shawn Nelson begins another monumental painting

Poets Al Pizzarelli and Donna Beaver Pizzarelli stand with Creative Writing Professor after giving a guest lecture to the Creative Writing class on Haiku poetry

Shawn is modestly flanked by two beautiful women artists Latifa and Sharon

A Few of My Favorite Button Blanket Robes I’ve Made

"Northwest by Southwest" 6'w x 5'h - Private Collection, Portland, OR - 1999 Clarissa Rizal

Since 1983, I have designed and made 50 Tlingit ceremonial robes in the hand-appliqued button blanket, and hand-woven Ravenstail and Chilkat.  The following are my favorite button robes.  (Please contact me if you’d like to use these images for educational purposes only).

"Having To Look Closely" 58"w x 48"h - Private Collection, NYC - 1999 Clarissa Rizal

During 2011, I am working on the manuscript for a book of my “first fifty.”  The book will also include images of my contemporary paintings that match the robes.  I thought I would publish the book this year but I have to complete 50 paintings first – so the publication of the book is being put off for a little while!

"Thomas Schulz Bear" 6'w x 5'h - Private Collection, Seattle, WA - 2005 Clarissa Rizal

"Frog Storyteller 4 Directions" 58" w x 48"h - Private Collection, Burns Lake, B.C. - 2007 Clarissa Rizal

"Frog Speaks" 58"w x 52"h - Private Collection, Juneau, AK - 2002 Clarissa Rizal

"Frog Speaks" (all-button version) 58"w x 50"h - Private Collection, Vancouver - 2007 Clarissa Rizal

"Following Our Ancestors' Trail" 66"w x 58"h - Private Collection, Austin, TX - 1992 Clarissa Rizal

"Wrestling With Angels" 58"w x 50"h - Private Collection, Juneau, AK - 1992 Clarissa Rizal

"Emergence" 68"w x 58"h - SEARHC (Southeast Alaska Regional Health Consortium), Sitka, AK - 1992 Clarissa Rizal

Tlingit Elder Cyril George

Elder Cyril George presents at the Native American Month "lunch-box" presentations on the Tlingit at the Sealaska Corporation's board room

Back in 1972, Gilbert Lucero began an Alaska Native teen center called the “Totem Center.”  He coordinated various events pertaining to the arts and cultural life ways of the Tlingit, introducing many of us young ones to things we were not even aware of like:  being Native – what does this mean?  Back then, there was very little awareness of even having Native blood, let alone doing “Native” ways of living.  Gilbert’s Totem Center instigated classes in Tlingit language and culture with elders such as A.P. Johnson (Sitka), Cy Peck, Sr (Angoon)., Ed Kunz, Sr. (Juneau) and  Harry K. Bremner, Sr.(Yakutat).  Gilbert also coordinated overnight field trips to the smaller communities like Sitka, Haines and Angoon.  Gilbert knew many of us had never  been exposed to any other towns much less other ways of living.  Gilbert escorted a group of us teens on a flight to Angoon (“the last stronghold of Tlingit culture…”)  It was during one of these cultural trips where I first met the graciousness of Cyril and Judy George.

Barbara Cadiente Nelson introduces Cyril with a long life-time list of his accomplishments

As I thought about writing this blog on Cyril, I calculated how old Cyril was back in 1972.  If he is 88 years old in 2010, he was born in 1922.  In 1972 he was only 50 years old (that’s younger than I).  I remember the solid, graceful, unassuming disposition of the man with his equally-matched wife sitting together against the window that looked across the street towards another row of homes along the beachfront.  Listening to Cyril speak during this presentation, I still experience the power of his soul and personality now as even then.  Of course, there are a few more aging lines, some weight to his shoulders and his speaking abilities have slown down a bit, yet he continues to begin his presentation, as usual, with a “funny” – something to chuckle about as we settle in to what he is about to lead us into.

A "Wolf" Chilkat robe woven by the late Jennie Thlunaut, watches over audience members Irene Cadiente, Ronalda Cadiente, Ethel Lund, Selina Everson, Nora and Dick Dauenhauer

Cyril presented historical accounts and clan stories of the bombardment of Angoon over 150 years ago.  He mentioned there was a documentary film created about this event.  I looked about the room and wondered how many of us could understand and feel the grief carried through generations to the present day.  I believe none of us in the room could truly relate to an entire village being destroyed because we haven’t experienced anything personally to that magnitude in our lifetime…(yet!)

Many scholars, students, artists and locals - just enough room for everyone to have a seat - except for Clay Good!

The Juneau Empire ran a story about Cyril’s presentation.  Apparently, there were many responses to the article on line whereby a few readers were irritated at the “old history” that needed to be “gotten over.”  This lead to folks becoming offended.  You may read at:  http://www.juneauempire.com/stories/121410/loc_756389469.shtml

SHI's Videographer Kathy Dye has been taping all the Native American Heritage Month's lectures sponsored by Sealaska Heritage Institute - you may visit SHI's website for more info.

Tlingit writer/performer Ishmael Hope wrote an excellent personal bio on Cyril George.  Ishmael is always worth reading.  Ishmael says things the way that I didn’t know I could say them but wanted to say it that way too.  I encourage you to read his blog entry on Cyril at:  http://alaskanativestoryteller.com/blog/

Christmas Tree at the top of Thunder Mountain

There's a Christmas tree near the top of Thunder Mountain

(Where’s Thunder Mountain?  It’s the mountain that separates the Mendenhall Glacier River Valley and the Lemon Creek River valley in Juneau, Alaska.)

See that slightly dark indentation to the left of the two humps at the top of this mountain?  Just to the left of that indentation, my father said there was (going to be) a Christmas tree up there.  This is pretty much the view from the living room window of his house where he lay on the couch two years ago in October 2008.  He was “on his way out” with colon cancer.  Once a week he would repeat:  “…lots of snow,…wow, lots of snow…we’re going to have lots of snow this year…”  Sure enough by mid-December 2008, right about the time of his passing, the Western States and the Northwest Coast had record-breaking snowfalls.  I remember spending an entire month shoveling snow every day keeping the walkway, driveway, rooftops and vehicles free of snow.  Many of us were literally snowed in.

So when my father said there (would be) a Christmas tree near the top of Thunder Mountain, I want to believe him.  I cannot see it from where I stand, yet I betcha if I squint hard enough, small colorful  lights will appear on one of them trees!

Converting All Plastic into Oil – Really?

A friend recently emailed me a video about a Japanese man who invented a machine that would convert all our plastic garbage into oil.  I thought at first it was a hoax, yet, maybe there is that possibility.   It’s an interesting idea; would if every household had one?  Would the big oil companies squelch the idea before it were made available for everyone?  Here’s the video:

Man Invents Machine To Convert Plastic Into Oil

Remembering JoAnn Mann

JoAnn’s younger sister, Rhonda Mann, has been a good friend of mine for almost 30 years.  For those of you who hadn’t gotten a chance to attend JoAnn Mann’s memorial service in November, I have included it here:

JoAnn Mann died November 1, 2010 in Seattle Washington.  She was 53.

Jo-Ann was Eagle-Thunderbird, Shangukeidi from the House  Lowered from the Sun, of Klukwaan, Alaska. Her Tlingit name is Kaaxaati.

JoAnn was graced with beauty, love, strength, compassion, exceptional intelligence and independence.  She passed away while sleeping, of natural cause.  She exceeded life expectancy by nearly 30 years. One of her favorite books and one she recommend to all her family was The Power of your Sub Conscious Mind, by Joseph Murphy, Ph.D.,DD.  Her most recent favorite song was Beautiful sung by Christina Aguilera.

JoAnn was born in Juneau, Alaska June 25, 1957.

She graduated from JD High School in 1976 then moved to Seattle, where she made her home in the city.  She also attended the Ann Carson Crippled Children’s school in Jamestown, North Dakota, from 1970 to 1972, where she learned how to handle and adjust to her condition of cerebral palsy.

Seattle offered her ease of access for her everyday living, combined with concerts, fairs, and events of all kinds including the Blue Angles air show, which she so much enjoyed.  Her family were the very most important people to her, alongside her partner Lane Culver, whom she loved and lived with for more than 25 years.

The family is forever grateful to Lane, and also to Dr. Moss, who regularly drove Jo to school. The family also recognizes Mike Keen, who was a friend of Jo’s in High School and who proudly held her arm and walked with Jo to receive her High School Diploma.

JoAnn studied various languages which included Spanish and Russian.  She was a member of the Baha’i faith, and also learned that language.  She had an astounding memory – you only needed to tell her something once, and she would never forget it.

Absolutely nothing held her down or kept her from doing what she set out to do or going where she wanted to go, she was unstoppable, and her electric wheel chair became an extension and form of expression of her mobility, determination and independent personal strength. If a family member was ever in “need” she was there, and would give and share all that she could. She was filled with life and vigor, love and laughter, wisdom and emotions without shame or embarrassment.  She understood and embraced all of what is important in one’s life, and especially the very special love, support, strength and compassion of her family.

JoAnn taught everyone the ability to empathize, to remain strong and independent.

Jo will live on forever in the hearts and minds of all who were blessed to have been touched by her pure love and energy.  She is with us all in all ways, shapes, and forms, and she always will be.

Juneau Rotary Club 2011 Calendar Features Arnie Weimer’s Mural

The Juneau Rotary Club's 2011 calendar features Arnie Weimer's wall mural on West 2nd Street

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To celebrate the 75th anniversary of Rotary Club of Juneau, Alaska, club members commissioned artist Arnie Weimer to create a mural overlooking the parking lot at Second and Franklin Streets.  This calendar presents images from the mural.  Proceeds from the calendar go to the rotary projects.

Rotary is an organization of business and professional leaders who provide humanitarian service, encourage high ethical standards, and help build good will, international friendships and peace.  Rotary’s motto is “Service above self.”

Juneau rotary service projects have included restoration of several totem poles and St. Michael’s Cathedral in Sitka, soap box derbies, a book bot to villages, swimming pool, library, teen center, hospital , playgrounds and parks, as well as sending wheelchairs to Mexico, ShelterBoxes to sites around the world, and supporting the Khabarovsk Orphanage in Russia.

Calendar images

December 18th – Two Years Since His Passing

A Working Man's Hands

At the request of my aging parents, I left my sweet “empty nest” home  in Colorado and  returned to Juneau in 2007.  I know I made the right decision; no doubt about it.  My parents never asked me to come home before until then, so I knew they were feeling their age, their vulnerability to getting real old.     I’ve had an innate knowing that  significant others may come and go but not your parents, and nor your children.  I am glad I made this time to spend with my mother and father.    My parents were 78 and 83 years old then; my  father was still gardening and my mother was still walking 3 miles a day.

They felt too old to travel alone  like they used to every Summer.  So, I took them on a couple of trips, a drive to Whitehorse, Yukon Territory and the other to Hoonah (my mother’s hometown, and my father said he hadn’t been there since the passing of his mother-in-law, my grandmother, who passed away in 1976).  At least twice a week I took my parents on walks and picnics around Juneau:  Lena Loop, Eagle Beach and Sandy Beach.  I was surprised to discover that my father hadn’t ever been on many of the trails:  Treadwell Mine, Mendenhall River walk, Basin Road’s flume, Perseverance Trail, Twin Lakes.  I felt privileged to introduce him to these new experiences.

William B. Lampe in his (what he called, Big Bear) mutton fur parka - Winter 2007

My father’s passing two years ago December 18th was the beginning of many major tumultuous turns in my life..  I am currently temporarily settled down; enough to  finally mourn his passing.  Outside of doing my art and being with a friend now and then, and hanging out with my grand-daughter or mother, I’ve been experiencing melancholia.  I am not at all motivated to put up any Christmas decorations whatsoever.  I haven’t even bought any Christmas lights; this is the first time in my entire life I have not put up not even a strand of lights, and if it hasn’t happened now, it ain’t gonna happen.   Thank goodness my brother Rick is setting up the tree.  He does these tasks not for himself, but for our Mother.   Out of the back shed, he’s also pulled out the big container of lights and…the famous Bill Lampe globe lamps.

My father was an avid Christmas decorator.  By Thanksgiving, his 30 ft. trees in the front yard were heavily adorned with lights.   He trimmed all the windows AND the ceiling trim with fake evergreen – and this was throughout the entire house.  As if he didn’t have enough lights, he roamed Fred Meyer’s aisles for sport…”Let’s see,…now where are those Italian lights, they are the best…”  Now I know where I get this behavior, this focus, this intensity.  Gawd.  Ask my kids, they’ll tell you.  However, I was never this extravagant.

Once he created his first globe lamp, what 10 years ago(?), he was a fanatic - he spent many nights creating just one lamp. He gave most away - even McDonald's in downtown Juneau had one smack dab in the center of it's ceiling when you walked in the front doors...!

The past couple of weeks, while driving through some Juneau neighborhoods, we have noticed a few homes displaying  his plastic cup globe lamps hanging outside just above their front doorway.  It’s a comforting thought to see a part of our father in each one of these lamps being shared with folks who were probably friends of his.

I have many photos to share, yet do not have time right now to post them – will do later – stay tuned!

.

Reflecting Upon An Empty Nest

Grandpa Bill and Grand-daughter Ursala share a moment of laughter and dance - May 2005

In 2005, I experienced the “empty nest syndrome” –  Something that most Americans experience.  Indigenous cultures around the world do not experience this unnatural thing because of several factors, one being economics, another being cultural values and the other being that there really is no where else to truly be except where your parents or relatives live.   (Yes, you can sure see that I am opinionated as I use the word “unnatural” in this context.)   But who am I to talk?  I left  my hometown of Juneau 17 years ago.  I yearned for a drier climate; I wanted a break from the hustle-bustle of our crazy lifestyle.  I wanted out of Juneau since I graduated from high school but never made it out until 1993.  And although I returned every year to be with my parents, I moved away until recently.  I had no idea I would be away for so long.

Ursala at 5 years old....

When my last child left home, even though I had always established my art business career and I had a “separate” identity, I still felt the empty nest; on the outside I seemed normal and okay – on the inside, there was a silent struggle groping in the darkness of aloneness.  I always had the purpose of care-taking as one of my job descriptions.  I was one of those mothers that really didn’t want her kids to leave home.  I knew there was a wide, blue world out there and they were ready to experience it,  and I wasn’t about to keep them from it.  Yet, I had hoped they would someday return home (especially once they had children of their own).  The following is an essay my youngest, Ursala, had written for her Senior year’s English class…on the eve of her flying the coop.   Most every detail is ever true.  Her essay is titled:  “Solid Blonde Oak”


“The mother smiles to herself as she wipes the crumbs from her antique oak table.  She thinks back to the night she brought the table home as her family gift, finally paying the $1200 layaway charge.  Of course, she hardly expected a spectacular dinner that night, long ago; the food stamps barely awarded them with brown rice and beans, and her husband annoyingly ranted about the cost of the table the entire meal.  Nonetheless satisfaction at her extravagant acquisition had overwhelmed her.  She sensed, even then, that the table would bring her happiness.

Four years later Seya demanded the table be put into her ’65 Ford truck, to be taken down to the Land of Enchantment with her other possessions.  A new baby would sit with a bare bottom on the smooth, varnished wood, and feel the coolness radiating into her chubby fingers.  She would smear her drool into the cracks with her palms, innocently inconsiderate of the others who would eat there later that night.  This baby felt the power of the blonde, wooden life beneath her.  Seya marveled at her daughter silently from across the room; a sense of fulfillment overwhelmed her in knowing that her baby, too, understood the importance of this treasure.  This new baby gave her the answer to complete the mystery.  Every night from then on, Seya would force her husband and three children to eat together, around her table, to keep her family strong and wise.

In the earliest days of her completed family the eldest children would sit politely as they downed their vegetarian food and listened to their parents converse, correcting false accusations when needed.  The youngest would sneer at her vegetables, then escape under the table to slightly drown out the conversations she didn’t understand.  Seya demanded her husband and children’s presence at every dinner, no matter how whiney and obnoxious they became.  The dinner table provided a nightly unity.

Friends would come frequently to enjoy the connections provided by a dinner with the Hudson’s, in the dim light of candles.  Extra leaves were needed to lengthen the table, to fit the numerous plates and utensils, or perhaps the musical instruments.  The nights’ inspiration brought songs of the strong friendship the family could offer, and a pre-meal “yum hum” soon became a tradition brought from a traveling friend.  Soon every guest knew to “yum” the food for the Hudson blessing.  Yelling and laughter would shake the wood beneath their plates as many acquaintances were gained and lost.  Friends brought other friends, and other friends brought more friends, making it rare for a night of a pure family time.  Even so, the family met together each night no matter how many guests, and their bond continued to strengthen day by day.

The table bound them together, a kiva, a place of gathering.  No outside source would interrupt—no phone, no reading during the meal, no background music—dinner meant a time to enjoy one another around the table.  The five of them talked of life and of death, of science and of fiction, of love and of hate.  Learning became a part of eating; the sharing of each other’s individual lives helped one another grow independently.  Seya didn’t know that self-sufficiency grew inside each family member from the tight connection she demanded of them.

The eldest child grew into a teenager.  Against his mother’s authority, he began to give up dinner with his family to spend late nights out with friends.  Seya began to feel his absence with an ache in her heart, and on the nights when he chose to ditch out, she’d make her husband and the remaining two daughters feel the void too, with silence and empty eyes. Although she began to face the facts that her son would soon leave the household, many harsh words escaped from her mouth towards him in attempt to keep him home during the family meal.  He refused to give in to her guilt trips and bribes.  Soon he left home to gain an education, away from his family and their nightly tradition.

Before long, the distressed mother felt it an endless battle to force perfect attendance upon the remaining family members.  The middle child grew up too, and rarely joined them for dinner.  Her husband often skipped out to work late at the office, and soon she began to fear that even the youngest child would find excuses to eat elsewhere.  She felt the family tradition crumble beneath her, and cried as she worked by herself in her cold, quiet studio.  In the dark of the kitchen the wood of her treasure aged alone in the night, abandoned by a family tradition.

Wrinkles now highlight her smiling eyes, the bun in her hair now limp and dense with grey hairs.  She places a clean, yellow cloth onto the old, creaky table, and rubs it smooth with fingers which now seem to endlessly ache.  Her family of five will unite again tonight for the first time in four years, and she knows that each of them, too, often feel the yearning to gather once more.  Many nights they spend dinners with quiet families, in lonely homes, and it is time to be home.  Again they will share laughter and sighs, teaching and learning, friendship and family.  The worn wood will rattle and the legs will creak from the weight of five, and it will give all it can to this reunited family, merely to make Mamma happy.”

Copyright  – Ursala Hudson – August 2005