Apr 8, 2016 | Class Act, Honoring Others |
The older Chilkat apron, most likely started by Doris Kyber-Gruber in the early 70s is held in front of the new Chilkat apron started by Doris’ friend, Dodie Gannet in the late 80s — The folks have finished the newer apron! They are (LtoR): Sally Ishikawa, Jodi Zimmerman, Margaret Jeppesen, Margaret Woods, Stephany Anderson and their consultant Ravenstail weaver extraordinaire, John Beard — December 2014
The “Apron Apprentices” (as they call themselves) have completed the Chilkat apron! Congratulations! The dedication is commendable! Here is a video clip showing the removal-of-the-apron-from-the-loom today by Ann Carlson – https://youtu.be/AW5sFVWs8_Q
Here’s an earlier blog post from December 2014 when I helped guide these weavers with a few more tricks of the trade in Chilkat weaving and this post also provides a story about how this apron came into the hands of these fiber artists/weavers in Oregon: http://www.clarissarizal.com/blogblog/the-apron-apprentices-oregon/
Thank you to Deana Dartt, Curator of Native American art at the Portland Art Museum for providing financial support in helping these weavers to complete this apron. The apron will become part of their permanent collection, which is befitting because of the lineage of Chilkat weavings that PAM has in its collection. We believe that there is no other institution that has the lineage of teacher/student/teacher/student, etc. as the following:
* Chilkat robe woven by Jennie Thlunaut’s auntie who taught Jennie how to weave
* Chilkat tunic woven by Jennie
* Chilkat robe woven by Clarissa, apprentice to Jennie
* Chilkat aprons: the older unfinished one woven by Doris (a student of Jennie’s in the late 60s/early 70s); the most recently completed apron started by Doris’ friend Dodie Gannett (who was learning from Doris), eventually completed 30 years later by the “Apron Apprentices.”
* Commissioned Chilkat robe woven by Lily Hope, apprentice to Clarissa — this robe will be completed by January 2017
Feb 10, 2016 | Honoring Others, Tlingit Culture Accentuated |
Subsistence gatherer Helen Watkins’ – the photos to her right are her relatives including her mother, grandmother and an image of the cabin off of Mud Bay Road in Haines, Alaska where she would spend the Summers gathering the abundant variety of indigenous foods — April 2011
Almost a year ago, I began weaving a Chilkat robe for Tlingit elder Helen Watkins from the Shungukeidi Thunderbird Clan; the robe is called “Egyptian Thunderbird.” She was going to dance the robe this coming June during opening ceremonies of the biennial gathering of clans in Juneau called “Celebration.” Looks like she will be dancing the robe in spirit; Helen “walked into the woods” last night.
The “Egyptian Thunderbird” Chilkat robe by Clarissa Rizal (June 2016) commissioned by Susan Hunter-Joerns in honor of Helen Watkins — modeled by Helen Watkin’s niece, Rhonda Mann
Helen was the happiest when she gathered foods from the land and sea with her big family and friends. Back in 2011, I attended one of her presentations on the Native subsistence foods and posted a blog about it. Check it out at: http://www.clarissarizal.com/blogblog/subsistence-presentation-by-helen-watkins/
Her obituary is at: http://www.legacyalaska.com/obituaries/Helen-Abbott-Watkins/#!/Obituary
You’ve got a lot of family, relatives and friends who are going to miss you greatly, dear Helen!
Oct 20, 2015 | Latest Art Projects, Tlingit Culture Accentuated |
The catalogue for the “Chilkat Blankets: Artistic Masterpieces” exhibit of antique Chilkat robes held in private collections in the U.S. recently displayed at the Antique Native American Art Show & Sale at El Museo De Santa Fe this past August 2015
I have a limited 10 copies of these books available for sale at my booth during the Clan Conference held Wednesday, October 28th through Sunday, November 1st at Centennial Hall in Juneau, Alaska. They are excellent study reference, especially since we will not see these robes in museums because they are in private collections. They are $25/each
I interpret this design as the “Diving White Raven Amongst the Bullkelp” image woven in this antique Chilkat robe
Sep 24, 2015 | Adventures of Rear-Mirror Rissy, Honoring Others, Latest Art Projects, Showing Off, Tlingit Culture Accentuated, To Market To Market |
Miranda Belarde-Lewis, Sho Sho Esquiro and Clarissa Rizal plan the floor layout of their next year’s October 2016 exhibit at the Bill Reid Gallery in Vancouver, B.C.
A year after the initial idea of an exhibit featuring traditional and contemporary Northwest Coast regalia and clothing with Sho Sho Esquiro and Clarissa Rizal, we finally met up at the house of Curator Miranda Belarde-Lewis to review the basics of the exhibit!
The exhibit opens at the Bill Reid Gallery in Vancouver, B.C., Canada next year in October and will run for approximately 5 months. We will be featuring a total of 20 to 30 individual ensembles of which during opening night only will be modeled with the accompaniment of traditional songs set to Preston Singletary’s latest jazz funk band called “Ku’eex.” Directly after opening night, the ensembles will be placed on their respective mannequins.
Stay tuned for updates on the progress of our exhibit!
Curator Miranda Belarde-Lewis, Contemporary clothing designer Sho Sho Esquiro, and Ceremonial regalia-maker, Clarissa Rizal
Sep 6, 2015 | Latest Art Projects, Ravens & Eagles, Showing Off, Tlingit Culture Accentuated, To Market To Market |
With hecklers from the side line, Ozzie Sheakley sports a “sporty” jacket with the 40-year anniversary design of a canoe with images of the 4 main clans from Hoonah, Alaska. Designed by Clarissa Rizal — photo by Deanna Lampe
I rarely wear these type of sporty jackets made of synthetic materials. I am spoiled with the wool jackets made by Woolrich or Pendleton. Remember the halibut jackets that were worn by all the cannery workers here in Alaska? And later on the Pendleton company started coming out with their fancy, lined Pendleton jackets and coats. That’s more my style. However, a jacket that has this cool image on it make me want to spend $250!
Sep 1, 2015 | Latest Art Projects, Tlingit Culture Accentuated |
“Raven Steals the Sun” Chilkat “tunic” t-shirt design by Clarissa Rizal – 1994
Over 20 years ago I designed this Chilkat “tunic” specifically for a t-shirt. I think only 5 or so shirts were printed. I’m not sure why I didn’t print any more than that. Anyway, if all goes as planned, I will have these T-shirts available for sale at the Clan Conference in Juneau, Alaska where a group of us local weavers will be doing another demonstration/presentation in the lobby of Centennial Hall starting on Thursday, October 29th. See you then!
Aug 23, 2015 | Adventures of Rear-Mirror Rissy, Showing Off, Tlingit Culture Accentuated, To Market To Market |
Wearing a Tammy Beauvois “beaded” dress and a pair of Chilkat armbands that she wove, Clarissa stands between her Chilkat curtains (she designed and printed), with her latest Chilkat robe behind her on the loom below “An Ocean Runs Through Us” Limited Edition Giclee triptych print – Photo by Juli Ferrerra
I had never heard of the Santa Fe Indian Market until August 1987; it was the first time I had seen so much fantastic art in all my life. One of the first booths I had seen was the Alaskan gal Denise Wallace’s jewelry; of course there was a huge crowd around her booth like no one else’s because her astounding jewelry was like none other. She was and still is, a celebrity.
Northwest Coast Native Tlingit artist Clarissa Rizal with Julia White from the Tulsa Artist Residency
The market opens early Saturday at 7am for those art collectors who are racing for that prize possession and enthusiasts who want to get ahead of the crowd. I had heard several people from a number of institutions came by my booth that early but I was not available. Directly after I spent 2 hours setting up my booth, directly at 7 I had to pick up my “Chilkat Child” who I had entered into the Juried Art Show; it took about an hour of waiting in line. However, I was able to catch Julia White, the coordinator of the Tulsa Artist Residency, from which I was one of 12 artists across the nation who was chosen as a recipient of their inaugural residency fellowship to live and work in Tulsa, Oklahoma for a year.
Full view of Clarissa Rizal’s booth (day 2) at the Santa Fe Indian Market 2015
I did my very first Santa Fe Indian Market in 1994 winning the Best of Show with my “Following My Ancestor’s Trail” button blanket wall mural which sold to a collector from Tuscon, Arizona. I won about $5K in awards, sold my load of button blanket greeting cards featuring 9 of my favorite robes, and sold a Ravenstail headdress. I walked away with a chunk of change; it was enough to put a down payment on a house!
Left side of Clarissa Rizal’s booth at the Santa Fe Indian Market 2015, featuring “Northwest by Southwest” button blanket robe surrounded by Giclee prints, and clothing/ceremonial regalia for children
The Santa Fe Indian Market is a zoo; it draws about 100,000 visitors from all over the world for the week before and after the Market. Lots of traffic jams in Santa Fe during this time. I don’t understand how artists can do this show every year. I cannot do this show every year. It takes me about 4 years to re-couperate which is why this is only the 5th time I have been an artist vendor at the market. It’s a lot of work to prepare for the market, then we gotta set up at 5am to 7am when the market opens. And when the day is done at 5pm, we gotta strike the set and pack it up, only to do the same thing the next day. It doesn’t sound like much, but believe me, it IS!
Right side of Clarissa Rizal’s booth at the Santa Fe Indian Market 2015 featuring “Egyptian Thunderbird” button robe surrounded by Limited Edition Giclee and hand-silkscreened prints and the 5-piece Chilkat woven ensemble “Chilkat Child” all by Clarissa Rizal
I had a good time at this market. It was the first time my booth faced the sunshine; I think that is why I enjoyed this year better than all the other years. You see, when I come from a grey, damp place like Juneau, Alaska and land in the arid country of Santa Fe, New Mexico, it naturally puts a smile in my body. Many of us Tlingits know what I experience!
And yes, all the items you see in these photos of my booth at the market are for sale, except the white curtains and the chilkat robe on the loom. I invite you to contact me for prices and more information.
Cousins Likoodzi and Violet
Another pleasant aspect of this year’s Indian Market included being with my kids and grandchildren during the week. There’s nothing like being a grandma. And though I am not a great grandmother, I am learning how to become one…!
Israel Shotridge, Preston Singletary, Sue Shotridge (obscured) and Clarissa Rizal talk definition of a mentor – photo by Kahlil Hudson
The night before the market, several Tlingit artists gathered together for a dinner at my son’s house in Santa Fe. We were discussing the logistics of creating a mentorship program for our artists back home, based on New Zealand’s Maori artists. We asked ourselves enough questions, like “What does it mean to be a mentor? How do you know you are a mentor? What are the expectations of self as a Mentor and expectations from the apprentice?
Kahlil holds daughter Violet while the little old man “Hassie” runs amok!
There are many events sponsored by other organizations outside of SWAIA’s (Southwest Association of Indian Arts) annual Indian Market, including an offspring of the Indian Market called IFAM which takes place for two days at the “Railyard”; there’s an artist supply market at the El Dorado Hotel de Santa Fe; there’s Dorothy Grant’s fashion show and of course, numerous gallery openings!
The 2015 Institute of American Indian Arts Scholarship Dinner and Auction
The Institute of American Indian Arts Scholarship Gala is held the Wednesday before the Santa Fe Indian Market (Saturday & Sunday); the place is packed with prominent artists, arts organizations across the country including representatives from NMAI (National Museum of the American Indian), NACF (Native Arts & Culture Foundation), art historians and collectors. I was invited by NACF to be a guest at their table since I had recently won this year’s fellowship.
Who were these people who shared a delicious meal at the IAIA Gala dinner table?
Nearly 22 years ago when I first had a booth at the Santa Fe Indian Market, the only Northwest Coast artist represented was a totem pole carver, Reggie Petersen from Sitka, Alaska. He said he had been doing the market for nearly 20 years with no other comrades from the Northwest except clothing designer, the late Betty David, and he was so happy to finally see “another Tlingit!” Although we had never met, he hugged me as if I were the last person on earth! lol. His wife, 4 children and he would make it an annual sojourn where they would take the ferry from Sitka to Seattle, then drive to Santa Fe and back again. He always had a log that he was carving smack dab in the middle of the Santa Fe Plaza. He said this was one of the ways in which he received commissions for totem poles. Lots of work being a full-time artist with 4 children.
Haida basket weavers Diane Douglas-Willard, her daughter Jianna and Dolly Garza are vendors at the market too. Diane says she has been a vendor at the Market for 20 consecutive years.
Tlingit photographer Zoe Marieh Urness and her twin sister with a visitor at her IFAM booth BEFORE the Santa Fe Indian Market
One of the hardest things about being a vendor at the market is that I don’t have time to take a break and visit all the other artists let alone attend all the other activites such as the main-stage performances or the fashion show. However, the day before Indian Market began, my daughter Lily and I took a jaunt over to the Railyard where the IFAM art show was happening. We saw several Northwest Coast Native artists including Peter Boome and Zoe Marieh Urness!
Coast Salish artist Peter Boome making a sale with customers at his IFAM booth
I admire the small city of Santa Fe for its unique architecture, dramatic style in clothing, furniture, jewelry — everything for that matter! Even its people! Check out the Trader Joe’s de Santa Fe! Holy—now THERE’s a mixture of all kinds of folks in a middle-class store! Simply entertaining to watch who shops there.
During the early morning of the first day of the Santa Fe Indian Market, a large group of young protestors marched through announcing their disagreement with the government continuing to pollute the Southwest environment and then lying about it. I was surprised there was a demonstration yet proud that the younger generation has stepped up to the plate. It is a good thing to bring awareness to the general public about atrocities to our human race and its well-being.
Sure felt good to see demonstrators for a worthy cause during the opening day of the Santa Fe Indian Market
And then directly after the demonstration, there was this guy across my booth standing with a black, worn-out umbrella. (He sure looked familiar! Lol.) The sun wasn’t even at its hottest yet, though he was prepared for anything. That’s the message for you folks today: be prepared for anything!
Is that Israel Shotridge under the umbrella on Palace Avenue in Santa Fe, New Mexico during the Indian Market
Aug 15, 2015 | Adventures of Rear-Mirror Rissy, Latest Art Projects, Tlingit Culture Accentuated |
Beginning student in Plein Rein, Clarissa paints at Eagle Beach, Juneau, Alaska – July 2015
Native Art Markets are good venues for certain artists who have sale-able works. I have yet to experience myself to fit into that category as my work appeals to a certain type of art collector or historian. However, art markets allow me to put myself out there and see who “bites.” The bites are folks who may be interested in buying my work later on, or they know of someone else who is, OR they are folks like those from the Tulsa Artist Residency who invite me to submit an application for a one-year residency starting in January 2016 in Tulsa, Oklahoma.
Of 300 applicants from across this nation, I was 1 of 12 who were selected. Whoa! This was quite the competition. Read the press release just received from TAR announcing their first 12 inaugural residencies: http://www.prnewswire.com/news-releases/tulsa-artist-fellowship-announces-inaugural-class-of-12-artists-300120297.html
Though I will be living in Tulsa for the entire year of 2016, I will still be traveling for business. I’ll post my 2016 calendar later on this year; stay tuned!
